A Quote by Devin Townsend
I think, at the end of the day, that was really what the reward for production is for me, is being allowed to be a part of somebody else's musical vision for a while. Like Gwar. I got to do a Gwar record, right? That was great.
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At the end of the day all I've ever asked for is to be allowed to succeed and fail on my own merits. Not based on what somebody else wants me to do or thinks I should do. Or, what they want me to say or what they think I should say.
I'm not really into the numbers game of, like, what position our record is. But you find out at the end, you know? You're like 'Oh, all right! That's good!' We had a Number Three record. That's crazy! What's that about? That's exciting to me! I think that's good.
When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
One day, I would like to be a part of a stage production, preferably a musical.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
No one ever came up to me and said: "You need to reshape your body, to lose weight, or to be more outgoing, or less outgoing". We were just allowed to be us, and I think at the end of the day, isn't that the whole point of being a human being? To be allowed to be yourself, to be accepted the way you are?
I think when you commit to somebody, and you take them off the market, right, I think it is your job as a woman or as a man to ... I don't think you should ever say no. I'm talking about if you're tired or somebody's like 'I'm tired.' No, because at the end of the day you took that person off of the market. They can't go and be with someone else because they're with you. So, don't you ever say no.
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
Every single day I wrote a song, I was hoping somebody like Luke Bryan, Jason Aldean or whoever would record the song. It's tough to do because there are so many great songwriters in Nashville, and I was lucky enough to get some songs recorded before I got my record deal.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
I hear people telling me a lot that the production of that particular record - 'One Part Lullaby' - really influenced them. I'm like, 'What? We were dropped from the label after that!'
If you were successful, somebody along the line gave you some help... Somebody helped to create this unbelievable American system that we have that allowed you to thrive. Somebody invested in roads and bridges. If you've got a business - you didn't build that. Somebody else made that happen.
If you were successful, somebody along the line gave you some help... Somebody helped to create this unbelievable American system that we have that allowed you to thrive. Somebody invested in roads and bridges. If you’ve got a business - you didn’t build that. Somebody else made that happen.
I'm of the mindset that most people who have kids are, which is, 'Hey, I want another me. I like me. I'm pretty cool, and I've got really great ideas, and the way I think is the right way to think. Let's put another one of me out there.' So I'll have kids one day.
I got signed with the songwriting deal when I was sixteen and they were really great - my publishers, who to this day are still my publishers and are like my musical family, my second family - they took me in and taught me what a good song is.
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