A Quote by Devin Townsend

One thing that's really important for me to be creatively motivated is to find an angle. Some people refer to that as a concept, which it is, in a sense, but not overtly. It's just something I need to focus and hone in on, and the trajectory of what might be seen as a 'concept' gives me creative momentum.
To me, what's really important about the Green New Deal isn't, like, one of the elements of it: it's the concept. It's the concept that we have a national emergency commensurate with a depression or a war. And then the second part of it, the concept that, in rising to meet that challenge, there's a ton of economic opportunity.
The Kitchen was a really great concept; it just wasn't at the price point that made it accessible to people. People could visit occasionally, and some people were coming regularly. It just wasn't a novel concept for every customer.
I think most people know the concept of difficult family situations. So I try to just ground a very big concept in something we can all relate to on some level.
I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.
WikiLeaks, for me, has not only that element in it of journalism publishing, but also the way in which it does it, with its - the concept we have of scientific journalism, I find very important and really appeals to me, that all of the source documents should be there.
The whole concept of treating people with dignity and respect is a concept that isn't a business concept, it's a life concept. It's who you are at the end of the day.
It's true that there is a rescue thing in people, and not just rescuing the family, which is kind of obvious from a biological point of view. But why is it that some people will jump into a freezing river and swim out to a downed plane for total strangers? What is that about? And it seems to be that it's part of your concept of who you are. That's why some people run into the burning buildings, because if they don't, their concept of who they are will be violated. They wouldn't be who they thought they were.
I believe that a concept that may have some flaws is nonetheless important as a tool to critique abuses on all sides of the political spectrum. In the end, I think that a more useful 'universal' concept than that of a 'right', though, is a 'need'.
It doesn't bother me that Seven has such an overtly sexual presence, because she has no concept of what effect that physical package would have on some male member of the crew. That's what's fun, her innocence.
There is a concept which corrupts and upsets all others. I refer not to Evil, whose limited realm is that of ethics; I refer to the infinite.
I've always been passionate about the concept of helping the underdog. It just doesn't make sense to me as to what kind of person would take a huge platform and not use it to do something, to change something, to help people.
A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.
I always have to start with a character that I can really hook into, and then build from there. I have writer friends who start from a world, an object or some kind of concept that they then hone and widdle into a story. But, for me, it has to be a character that I can really sink my teeth into and live with, for months and months.
A really important thing when you come up with a concept is that you solve a pervasive problem for people, and you don't try to create a new way to do something that isn't necessarily broken.
One of the goals of scientific theorising is to develop concepts which are adequate to the phenomena under study. In my view, things should work the same way in epistemology. We want to know what knowledge actually amounts to, not what our folk concept of knowledge is, since, just as with our pretheoretical concept of acidity, it might contain all sorts of misunderstandings and leave out all manner of important things.
I have seen in many places housing which has been developed under government influences, but I have never seen any projects in which governments have played their part which have fountains and statues and grass and trees, which are as important to the concept of the home as the roof itself.
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