A Quote by Devin Townsend

I've always loved the sound of female vocals. — © Devin Townsend
I've always loved the sound of female vocals.
I guess I'm not really into female vocals that sound masculine, I guess. A lot of times, the heavy female vocalists always end up sounding like they're screaming or whatever.
I do sing a bit, a solo called 'Rubies,' and the female vocals on 'In Paradisum,' 'The Sound of Silence,' and 'Sapphire Clouds'.
I loved Celine Dion. I loved Whitney Houston and these big powerhouse vocals.
I do most of my vocals - aside from a couple of little one-shot vocal samples. I record everything into the Saffire with an SM58 then scratch it with loads of plug-ins. I don't do much vocoding to be honest. All my vocals are usually done with Melodyne and a ton of other plug-ins to make it sound weird.
When Derek Miller and I started working together, we had a very clear vision for the sound of the band. It was one which combined our favorite musical elements: driving guitars, bombastic beats, and female vocals. We've always been interested in making music that is essentially pop but that steps outside of the traditional formula into a stranger, more abrasive world. We love that our music makes people dance with complete abandon and feel empowered. It's very uninhibited music, and that's what makes it so fun.
Pat Simmons and I always had a great blend together. We did the background vocals on a Little Feat track called 'Red Streamliner,' and that was great fun. I always really loved the way it turned out.
I'm always saying in the studio, 'My vocals are too loud!' or 'My vocals have too much effect on them!' I like some of it, but I'm not a fan of loading effects onto my voice.
In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
I don't believe that recordings should sound radically better than the artist, I think that's dishonest. For example, I'm not a great singer but if I spent enough time tweaking my vocals, I could sound like one. But I don't, what you hear is pretty much what I sing.
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
I started doing some demos and got online and bought a refurbished laptop, bought a microphone off of eBay. A lot of folks said you can't really do it that way at a pro level, but I did some vocals that way, turned it into the label and they said, 'Wow, where did you record this? The vocals sound great!'
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.
My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut.
I've listened to female vocalists my whole life. That's what I love. I still listen to guys' vocals and don't get taken aback a lot.
Nine Inch Nails' sound is dominated by clanging synths and sardonic, shrieking vocals.
This site uses cookies to ensure you get the best experience. More info...
Got it!