A Quote by Devlin Hodges

I've been watching some film, understanding what I can work on, what I can get better at. — © Devlin Hodges
I've been watching some film, understanding what I can work on, what I can get better at.
Watching John Lasseter's films, I think I can understand better than anyone that what he's doing, is going straight ahead with his vision and working really hard to get that vision into film form. And I feel that my understanding this of him is my friendship towards him.
I don't try to come in and act like I know it all, and that's why I put the extra work in of watching film, getting an understanding of what you want from personnel, each player.
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
My dad, he worked rebar, an ironworker. Watching my pops get up every single morning, going into work, working hard - I think that really made me want to work that hard, wanted to make me get up early and go for a run or get a lift in or get some extra hitting in and really try to better myself every day.
Some things work better as a book, some things work better as a story, some things works better as a film.
I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.
The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.
There were things that had been weighing heavy on me for quite some time. And I went into this hole, trying to work through some of these things so that I could be a better me and be a better mom to Julez and be a better wife and a better friend and a better sister.
I think the other honest attraction was that I just grew up loving watching TV and loving watching film, and there's so many directors and actors that I dreamed of working with, I just really wanted to take a crack at it and see if I could ever work with some of those.
Playing games and watching film, I've been able to see the improvements I can make and how much better I can be. It's exciting to think about it.
I think the reality is that it's never been a better time to be an entrepreneur, it's never been a better time to work at a startup. You work at a really intellectually free environment, you get to work with people who are like-minded, it's very energetic. It's wonderful.
I've always thought of myself as more of a character actress. I've tried to do different things, but I've always been under the radar and that's how I like it. I've been really blessed to work this long and I just hope I continue to get better and better and better and better.
When you work in front of the people, either in a film or in television, the people who are in the room with you are not watching you work, they're working so you'd have to light a fire to get them to watch what you were doing.
In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
If I hear a film clip, or I happen to see some image from a film - you go to a film festival, and they show some clip of the movies you've been in, most of the time I sit there and go, "Oh God, I should have... should have... that was terrible." But I think that's a natural part of this work, because really, your work is never over. Of course I can leave it alone and walk off the set and never think about it again when it's done. But your work is really ongoing all the time.
I've done some analysis of the biblical stories as part of my psychological work. I knew that I had more to do, and every time I've done it, it's been extremely valuable. It makes me a better teacher because I have a richer understanding of cultural history.
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