A Quote by Devon Bostick
I do not really think about age. I am just sort of trying to get as much done before I get old and can't.
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I never think about awards or anything like that when I do a job. I was first named a best actor when I was 12 years old and it doesn't really mean anything when you get down to it, because there is no best. I don't get all that involved. My chest puffs up as much as I can puff it up but I am not trying to be better than the person I am acting with. I am trying to be at least as good. That's how it works.
I think men can really get in the way when you are trying to sort your life out and get on with it. Because they just take up so much space. I'm not under any illusions that I could have been where I am now in literary terms if I had been heterosexual. I really believe I would not be.
I don't have emotions about a lot of things. I rarely get angry, I rarely cry. I guess I do get excited a lot, but I don't get sad and enormously happy. I think a lot of people who talk about all that crap are lying. Right now I'm just trying to maintain happiness — that's all I really care about. Anyway, when you're my age and your hormones are kicking in, there's not much besides sex that's on your mind.
You just do the best you can. It doesn't necessarily mean that you have to get worse the more you do it. It can get better, I think... aspects of it, anyway. I mean, I don't write as much as I used to. But I don't do a lot of things as much as I used to. So that's the natural order of things, too. You're more or less living in the present. You're just trying to get that next song, whatever it is. And not think too much about what happened on the last record, or the record you made 20 years ago, because those are over with. Those are done.
I find, the older I get, the more surprised I am about how hesitant people are to say what they really want, what they really dream about, what really drives them. It's as if sometimes we're sort of embarrassed, as we get older, to be transparent about that. But you save so much time if you're transparent about what you want.
I think my real fear is that I will get to old age and think I spent too much time concerned about the way that I look and other bullshit. That's really a fear of mine.
Before I studied story, I was trying to write a novel, and it was terrible. It wasn't going anywhere, and I couldn't figure out what I was trying to do. It was really hard; much harder than I thought it was going to be. Now that I've studied story, I think I'd have a different approach and maybe I could actually get it done.
I'm so deeply interested in what it feels like to be other people that I get to operate under the illusion when I'm writing fiction that I'm not really revealing that much about myself. But, of course, I am, and I know that I am. And yet there's this sort of membrane that I get to work behind as I write my fiction, and I love it.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
If you want to do good research, it's important not to know too much. This almost sounds contradictory but really if you know too much and you get an idea, you will sort of talk yourself out of trying it because you figure it won't work. But if you know just the right amount and you get enthusiastic about your project, you go ahead, you do it and if you're lucky things'll work out.
I really hate to get old. I don't talk about it much. And sometimes at night I wake up and I have nightmares that I know how old I am.
I like to think I am a serious legislator and trying to get things done. That's my goal in life, to get things done.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
I am a hopeless romantic. And I won't stop till I get it right. I don't think I'm unlike a lot of people. I am just someone who is trying to find that mate, and I think it's a really hard thing to do. And I'm not willing to stay somewhere where I am really not happy. And I am not willing to pretend I am for the kid's sake or so that I don't have to go through another public humiliation.
Cambridge is really understanding and helpful, so that's been good, and it's just a case of trying to get stuff done when I am there and just being efficient with managing my time.
I have a supermarket full of ideas and the challenge is how many ideas can I get in my cart before I'm gone. When you're doing it, you're not focused on success. It's not a matter of modesty. You're simply trying to get all the things done that you want to get done in your life.
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