A Quote by Devon Bostick
I trained for the drums for about two weeks, and then rocking out in front of an entire crowd was sort of like a dream come true. And now, Guitar Hero, I can't do that anymore. It's nothing like doing it on stage. I kinda wish I had a fake band, and we could go on tour.
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What I'm doing is a dream come true but at the same time its work. It's like anything else. The only time it doesn't really feel like work to me is when I'm on stage and doing what I've prepared myself for my whole life which is to stand out in front of a crowd and sing.
Back when I was in high school, I came out onstage with my guitar and had four guys playing behind me. We were just playing a dance, but I was standing in front of an audience rocking out. I'm still rocking out like when I was a kid. I haven't changed.
I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
I really wish I could sing so I could front a band, because that would be a dream come true, totally. I want to sing. Can't do it though.
I've literally, in my entire life I've had two guys come up to me and ask me out. Other than that I have had to go and try to like spend time with them, or sort of start the conversation, basically like spell it out in a Sharpie, like, you know?
If you come on stage rocking the same LRG shirt and Ed Hardy jeans that two people in the crowd have on, then what makes you different than them?
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums... ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
There is nothing like that crowd reaction, and nothing like looking someone in the eyes, someone that paid for a ticket to come to the show. I had the chance to go out there and close the show, doing what I love.
If I go out there and am myself, and I do what makes me comfortable and what I think is true to my artistry, and they don't like it, then that's fine. I walk off stage, and I know there's nothing there's nothing I could have done differently.
Right at the peak of my - I went on the Hammer tour and found out I was 6 weeks pregnant, and we had two more months to go. I had to come home and drop that baby and finish out some more shows and then I became a stay-at-home mommy.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
I saw the kid playing Simba on stage and I thought, 'I can do that, nothing special there,' and then two weeks later, I saw auditions in the newspaper and I asked if I could go, and I lucked out and got it.
I can honestly say that in The Murder City Devils band we achieved everything that I could've ever hoped for or wanted. We did all that, which is the luckiest, craziest, and weirdest thing. Essentially, it was sort of like my dream come true in a way, so once that's happened, you sort of stop being surprised.
I really enjoy 'festival life,' as it were, and I love the reactions when I bring out my guitar on stage. The crowd are always a bit like, 'What the hell is this urban guy doing with a guitar,' and that's what I love - the shock element of it all!
My first job was in a Bohemian polka band, the Rejcek family polka band in Abbott. The old man in the band had another blacksmith shop in Abbott, but he liked me. All he had was horns and drums, and I was set up over there with my little guitar with no amps or nothing. I would play as loud as I wanted to, and nobody could hear me.
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