A Quote by Devon Sawa
The next movie I do is not going to be in school.
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I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!
People think you're like The Godfather, waiting for scripts to come in. But, you're hustling, you're desperate, you're panicked and you're horrified. The movie you think you're going to do next, you don't do. The movie you think you're never going to do, you make.
People say, 'Well, whose career do you follow? Where do you see your career going? What movie do you want to do next?' And I can't tell you what type of movie I would go and do next. I would have to read the script and feel for a character. And if I feel in my gut for a character, I know that that's somebody I have to play.
I think my parents wanted me to do something very normal, have a normal person job and not be confronted by the instability of an artistic pursuit, but there wasn't really a lot they could do to stop me. I was, at one point, going to go to law school when I finished high school, but the next day I got accepted into acting school and there was no real question in my mind of what I was going to do.
A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime.
There have been moments where I'm like, 'I don't know how I'm going to survive and pay next month's rent.' And the next month I'm filming a movie in New York City.
I want do a Mandarin language movie. It'll probably be the next movie I do after the one I do next.
There aren't a lot of entertainment-based mediums, the visual or recorded mediums, that empower the audience to go off the next day and create it themselves. You can't watch a movie or a show and the next day say, 'I want to make that.' You have to go to school.
I don't know where my next movie is going to get financed or if it will. I think every filmmaker is probably worried about that, unless their movie made a fortune. My movies make a profit, but obviously not a fortune. So yeah, it's scary.
I grew up going to school and high school and then shooting a movie for a few months. It's an odd way to grow up and is kind of forced maturity.
In high school I just loved to compete and play sports. I didn't have a sport that I was going to say, 'Hey, I'm going to play this at the next level.' Whatever my best opportunity was was what I was going to do.
We were doing press for this movie that my friends and I made for $5,000 called 'Brothers Justice,' that I also wrote and directed. And during the press of that, people kept saying, 'What's next, what's next?' And my best friend Nate and I - Nate produced it - we kept saying, 'Oh, we're gonna do a car-chase movie next.'
I tried to talk to the graduates who haven't figured what they're going to do next. The kids who are heading in medical school or law school, they've got pretty much figured where they're headed in life. But there are so many kids out there, that are just going, they're still kids. They've always been promoted from grade to grade.
How you choose to respond each moment to the movie of life determines how you see the next frame, and the next, and eventually how you feel when the movie ends.
And then before going back for my sophomore year, I decided to change my major to arts and sciences, and my dad cut a deal with me: He said if I'd quit school he'd pay my rent for the next three years, as if I were in school.
If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
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