A Quote by Dexter Fletcher

Spending time on 18th-century ships in Tahiti when I was 17 was quite unusual. — © Dexter Fletcher
Spending time on 18th-century ships in Tahiti when I was 17 was quite unusual.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
If you go to old houses on Long Island you will see painted Chinese wallpaper, which was big in the 18th century. Throughout history, notable, established families have always tried to link to the 18th century.
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
The fact that I spend a lot of time in the 18th century doesn't mean I'm not concerned with the 21st.
Look, science is hard, it has a reputation of being hard, and the facts are, it is hard, and that's the result of 400 years of science, right? I mean, in the 18th century, in the 18th century you could become an expert on any field of science in an afternoon by going to a library, if you could find the library, right?
I would say I'm a 19th-century liberal, possibly even an 18th-century one.
I grow tired of 18th century moralities in a 20th century space-atomic age
The blues are like the fugue in 18th century. It's probably the music that belongs most to our time.
An 18th century brain, in a 21st century head.
I believe that justices must recognize that our Constitution is an 18th-century document that needs to be applied in the context of the 21st century.
Because of my politics, people think I'm anti-American. But I was quite the reverse. What I don't like about the United States is when the government acts like an old, imperial 18th- or 19th-century European power.
When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
The Constitution has to be interpreted loosely, otherwise it becomes a straitjacket. You can't interpret it literally. You can pretend to, and go digging around in 18th Century dictionaries to figure out what 'cruel and unusual punishment' meant or what the 'right to bear arms' meant, but that is all fake really. The Constitution has to be interpreted in light of modern needs, and that's what they (the strict interpreters) end up doing in spite of all their investigations.
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