A Quote by Dexter Holland

Selling another 10 million albums is not a priority. Putting out something you're proud of is. — © Dexter Holland
Selling another 10 million albums is not a priority. Putting out something you're proud of is.
After putting out quite a few albums, there's a feeling of why make another? I was trying to make something that was an album experience.
Singles, whatever. But selling a million albums feels like an impossible thing to do.
There are a lot of musicians who are still desperately trying to pretend that it's 1998 and by having a huge marketing campaign, they somehow believe that they can sell 10 million records. That's delusional. No one sells 10 million records. The days of musicians getting rich off of selling records are done.
Professionally, I'm proud that Glassjaw has gotten to this moment, and that Justin Beck and I are making another record and some zany things are going on. It's on the tip of my tongue all day every day, between the press and the experience of putting ourselves out there, and putting our personalities out there to be judged and to have amassed a whole unit of music, and how it's really a celebration of our friendship. I'm really proud of it.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
They say I'm worth either €200 million, €100 million, €50 million or €10 million, but that's something between God, the HMRC and myself.
I'm just so happy and proud of everybody and what everybody's doing. From Curren$y doing decent numbers with the independent, digital release; from Asher selling 1.1 million-plus on iTunes with the single and almost at 200,000 [albums sold] now; Cudi got almost 4,000 BDS's a week; Mickey Factz doing the Rock The Bells tour; Blu signed a deal shortly after; Ace Hood had two very successful singles, another album getting ready to drop. Everybody's doing their thing, man.
There's a property in Panama where Trump has collected somewhere around $30 million just from selling his name to this property - it's somewhere between $30 million and $50 million. It would be so easy for a developer to slap on an extra $6 million to a Trump licensing deal and have that be a backdoor bribe. Who are we to say what that is worth? It's so ephemeral. And this is the appeal of selling something as ephemeral as a brand name, is that it can be inflated beyond all reason.
I was a 10 million-plus selling artist.
When you start out as a band, you stake your claim and you go for it. And there's a part of you that dreams it and imagines it and does everything to get there, but you can't ever expect to sell 8, 10, 12, 20 million albums. It becomes this thing that you really have to figure out as you go.
Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.
I do voiceovers, but being on-camera and selling something? I wasn't really interested. And then I thought, well, wait a minute. Everybody's selling something. When you turn on the tube... And then if you go to Europe or Asia, everyone is selling something. All the guys that don't want to be seen selling something here are selling something there. So I thought what the hell?
We're trying to improve everyone. It doesn't matter if he cost £10 million, £15 million, £200 million. There is always space to do something better.
It's kind of cool that we've quietly been selling a million albums. We knew the album wasn't going to debut at No. 1. I'm stoked to see us being successful again.
I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.
MTV made a huge impact. Heavy rotation took you from selling 1m albums to 20m albums, and that meant a lot of dough.
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