A Quote by Dhani Harrison
I've grown up around cinema. Michael Kamen was a very, very close friend of mine, sort of my godfather. So I know how much work goes into it. You have to know what you're doing.
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Michael O'Donoghue was a very close friend of mine - very encouraging with my stuff, and really a great guy - but he was a no-kidding difficult person.
It's always been a dream of mine to do a voice for a Disney movie. I think Disney movies and theater are very closely related. That would be amazing. I don't know about doing a Broadway musical, just because I don't really know how people do it. You just work all the time. That's something that I would definitely have to work up to.
Probably the only thing that isn't great is the time when I know I'm very close to finishing the actual writing of the story and I'm overcome by this sense of loss. I think it's because I know I won't be "talking" to the main character anymore, it's sort of like what you feel when you know a friend is moving away and you probably won't be seeing her again.
I have a very dear friend, a great painter, called me up very upset, the work wasn’t going well… He asked me to come to his studio -- which I did -- I looked around at the work, dozens of sketches, drawings, large pictures, and I was very close to his work, intensely involved with his work, and he asked me, ‘What’s wrong?’ And I said, ‘Simple – it’s a loss of nerve.
I grew up in Maryland on the East Coast - you know, close to D.C. but sort of in the suburban, rural area - and Nashville felt very, very homey to me.
I know Marco Rubio very well. He's a friend of mine. He's a man of deep faith. He is a man who follows Catholic dogma and - you know, for whom religion is very important.
I go and I keep friends with [Abe] Rosenthal at the New York Times and people of that sort, you know. And all - I mean, not all the Jews, but a lot of the Jews are great friends of mine, they swarm around me and are friendly to me because they know that I'm friendly with Israel. But they don't know how I really feel about what they are doing to this country. And I have no power, no way to handle them, but I would stand up if under proper circumstances.
I went back to work right away [after prison]. I was very lucky — a friend of mine created a job for me at his company. Most prisoners who come home face really significant challenges when it comes to finding work. It’s very, very hard for most people who have a criminal record to get a job. I think the system is very wasteful of taxpayers’ dollars. It’s also very wasteful of human potential. I found that most people whom I was locked up with were, you know, good people who have skills and value. Prison is a missed opportunity to nurture those things.
La Haine - first of all, it was the story of friendship. I was very close with Mathieu Kassovitz; he was somebody I met in the nights of Paris. And the hip-hop scene and all that... You know, it was very much about doing our own thing, and some of the subject matter was so close to what we knew and the people we were hanging out with.
A very good friend of mine spent a fair amount of time doing postmortems and met with a number of the senior folks on the Romney campaign and they spent, what was it, $140, $160 million on data. And this friend of mine, who is a very sharp thinker, asked a series of questions, but the most important one he asked, he said, "What decisions did you make differently because of the data?" And he's coming from the private equity world where he wants to know, OK, and the answer from virtually every single senior Romney person was "nothing."
A friend of mine called and said they're interested in having you do a song for the new Pokemon. All my kids are grown up, so I'd heard of it, but I didn't really know what it was.
And I always say sign up for MySpace and see what your kid is doing. Be his friend on MySpace. Know what your child is doing online because you're going to know more there than you'd ever know when he goes to school.
Michael Phelps is a good friend of mine, so I'm very supportive of him.
The experimental film scene was very much misogynistic as well. I don't know if you have read what little attention was given to the films of Joyce Wieland, who was the wife of Michael Snow. Michael was the "genius" and she was not. If you look at the films they're wonderful, but very different. Michael was very proud of the films too, so it was not coming from him. It was coming from the general environment. I think both Chantal Akerman and I shared that. We wanted to find a language, which was the language of women.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
I don't know how much longer I can keep going without a friend. I used to be able to do it very easily, but that was before I knew what having a friend was like.
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