A Quote by Dhani Jones
Because CoEd's doing incredible work in Guatemala so how can I not #tieoneon?
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I wasnt privy to all of the intelligence that was coming in about Guatemala, but I did see the traffic that was coming in from Guatemala City, because it was very relevant to me, and of course I exchanged what I had with the chief of station in Guatemala City.
'Westworld' is going to be incredible, and the production line is amazing. That was really nice because Lisa Nolan, who is in charge there, is fabulous and is a great example of a woman doing that role. So that was great, and she's amazing - an incredible writer and fantastic to work with.
More often than not when we do not like our work, it's not necessarily because of the work itself. But more often because of the people we work with and more importantly because of the lack of leadership. It is amazing how inspired and motivated we can be when we like the people and when we feel like we show up to work because our leaders care about our wellbeing. It is kind of incredible actually.
I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.
When I got to college, my sister was starting work, and she realized she had two weeks of vacation a year, so she called me and said, 'Go abroad.' So right after my freshman year, I went and I studied in Guatemala, and I studied in Kenya, and I studied in Italy, and it was incredible.
My work with Combate Americas, in particular, has been incredible because the company keeps growing at an incredible rate.
In manufacturing, too much work is beyond repetitive - it is inhumane. The people doing this work aren't doing it because they want to - they are doing it because they have families to feed and clothe.
I get unhappy doing things that I'm not passionate about. Because I feel like I'm squandering this incredible gift I've been given to finance films. As soon as my name alone was enough to make this happen, I vowed to myself that I was going to work with directors who were changing cinema, doing something important, you know?
Live your passion. What does that mean, anyway? It means that when you get up for work every morning, every single morning, you are pumped because you get to talk about or work with or do the thing that interests you the most in the world. You don’t live for vacations because you don’t need a break from what you’re doing—working, playing, and relaxing are one and the same. You don’t even pay attention to how many hours you’re working because to you, it’s not really work. You’re making money, but you’d do whatever it is you’re doing for free.
I've learned in my older age how to let it go when things don't work out, because something incredible that I don't know about yet is probably right around the corner.
I stopped painting because I was so shocked at what I was doing and how much I wasn't in the work. The work was alien to me. I didn't know how to paint in a way that would get me out of this funk.
NASA is doing nothing but development. They're not doing research in manned spaceflight at all and I see no reason for them to do that because we already know that it will work and we already know exactly how it will work.
I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.
It makes me so angry when people say, "We never hear from people who are happy doing sex work." Well, that's because they're working. The activism privileges people who hated doing sex work, are no longer doing it, and have a job at a social service organization, for example, that trains them on how to speak to the media. We are hearing from those people quite a bit.
I once left my wife and child in a hotel in Mexico to fly to Guatemala in this tiny plane for two days to see the rainforests. Guatemala had just finished a civil war and my hotel door had five or six bolts on it; I was locking myself into a safe vault.
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
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