A Quote by Dhanush

My energy is undoubtedly my two sons Yatra and Linga, and they are my all-time inspirations. — © Dhanush
My energy is undoubtedly my two sons Yatra and Linga, and they are my all-time inspirations.
My last two scenes in 'Yatra' were memorable in the sense that I had ample scope for emoting.
I have two sons. Good sons. They're both businessmen.
We're travelling through space and time, we're dealing with gods and monsters, but at the heart of the film, from my perspective, is a family - a father, two sons, two brothers, a mother and the fractious, intimate interaction that they have.
As I work day after day, inspirations from different places go into the work. It's combination, but it's also comparative. I'll be reading two books at the same time that are totally different [and] then have two stories mix together.
It will undoubtedly happen, that the enemy will make the attempt, today, tomorrow or the next day, at some time, to break into this fortress of Europe at one point or another. That will undoubtedly be the case.
I am stopping so I can be a full-time father to my two young sons on a daily basis.
I am stopping so I can be a full time father to my two young sons on a daily basis.
I, for one, am pretty exhausted since I started blogging almost a year ago. But I am blaming that on my two sons, aged 3 and 6, whose perpetual-motion-machine energy is hard to keep up with at my advanced age.
Conserving energy and thus saving money, reducing consumption of unnecessary products and packaging and shifting to a clean-energy economy would likely hurt the bottom line of polluting industries, but would undoubtedly have positive effects for most of us.
I have two teenage sons, and they're both surviving, thriving, and having a great time, and they're always on social media.
It's not at all hard to reconcile the two things if you organize your time intelligently. Even when my sons were little, I was working.
I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.
We're a family operation. There's not many of us. We have a couple people who come from time to time who work with us. Two of my sons are themselves filmmakers, and we can't afford them nor they us.
To write fiction, one needs a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
As for the historical inspirations I drew on in writing The Snow Queen, I suppose I would call them more cross-cultural inspirations, though they frequently involve past societies as well as present day ones.
I have come to believe that energy medicine is a practice of healing that is dependent upon the energy of time. Whereas allopathic medicine uses linear time as a fundamental healing measure. Energy medicine needs to understand the dynamic of chiros time, that is the time without time.
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