A Quote by Dhanush

I took up acting upon the insistence of my filmmaker father, Kasthuri Raja. But I am glad for it: sometimes one identifies one's calling; sometimes it singles one out.
Sometimes I am happy and sometimes not. I am, after all, a human being, you know. And I am glad that we are sometimes happy and sometimes not. You get your wisdom working by having different emotions.
My mother is a Chitrapur Saraswat from Mangalore and half-Telugu, and my father is a Bohri Muslim. My mother's father, J Rameshwar Rao, was the Raja of Wanaparthy, a principality of Hyderabad. He was influenced by the socialist movement and became the first Raja to give up his title.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
For me, something will come in my head and I'll either end up calling my cell phone to record it, or I'll just pick my guitar up and see what comes out. Sometimes it sucks, sometimes it doesn't. So there's really no set method behind it.
When I was a young lawyer, there were other women and men in the firm who took me under their wing. Sometimes mentors don't find you - sometimes you seek them out. You shouldn't hesitate to plop herself in someone's office and ask them to be that support.... Oftentimes, they're flattered and glad to lend a hand. So I would encourage any reader to seek out a mentor, then follow through and be very focused and persistent.
I'm not trying to imply I can keep up this silent, isolated facade all the time. Sometimes the wall I've erected around me comes crumbling down. It doesn't happen very often, but sometimes, before I even realize what's going on, there I am--naked and defenseless and totally confused. At times like that I always feel an omen calling out to me, like a dark, omnipresent pool of water. ~page 10
I drank for about 25 years getting over the loss of my father, and I took the anger out on myself. I did a good job at beating myself up sometimes.
To create anything โ€” whether a short story or a magazine profile or a film or a sitcom โ€” is to believe, if only momentarily, you are capable of magic. These essays are about that magic โ€” which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
Love one another, Jesus said. Sometimes it took a lifetime to learn how. Sometimes it took someone to hit rock bottom to make someone reach up and grasp hold and be lifted from the mire to stand on a firm foundation.
I took theatre and stuff in college, then I took a bunch of different acting classes here in L.A. Sometimes when I have a hard audition, I'll call my acting coach and he'll come help me. I actually get more nervous in acting class than I do at an actual audition. It's actually a really great way to get over your nerves.
I drank for about 25 years getting over the loss of my father and I took the anger out on myself. I did a good job at beating myself up at sometimes. I don't drink anymore but my alcoholic head occasionally says different. 'Nil By Mouth' was a love letter to my father because I needed to resolve some issues in order to be able to forgive him.
courage isn't simply a matter of leading charges: sometimes it consists in speaking up, sometimes in stoic silence, sometimes in forging ahead, sometimes in circumspection, and sometimes in nothing less than preserving our own humanity.
Sometimes acting and politics make a very bad combination. I think that sometimes people take me less seriously in my work for the UN because I am an actor.
All my books explore fatherhood. I look at what it means to have a big father figure at the centre: sometimes they're a good father, sometimes bad.
Yes, I am acting in my singles, but that is very different from acting in a movie.
When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.
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