A Quote by Dhanush

What I didn't expect was 'VIP' becoming something of a cult and one of my biggest hits. — © Dhanush
What I didn't expect was 'VIP' becoming something of a cult and one of my biggest hits.
If you take a band like Nirvana, their biggest hits are structurally the same as even a hair metal band's biggest hits. The structure's not different - the attitude was different. Except it really wasn't. It seemed a little more human.
I have seen this whole process of films releasing, becoming hits or flops, for too long now to expect things to do well. If I expect a film to do well, then it is for somebody else's sake, not for my own. I do my work, and if you feel that my work is improving from film to film, then I have done my part of the job.
Taking the money from drug operations and all that sort of stuff is something that goes past what most of us in society would expect a policeman should do. That temptation hits the police force at the same time as the temptation to take those drugs that are readily available hits the people on the streets.
You go to all these parties and meet all these crazy people. But ultimately, it just ends up with you in a club, and then you're in the VIP area of the club, and then you're in the special secret VIP bit, and then eventually, it's just you, on your own, in a VIP box, going, 'Is this fun? I'm not sure this is fun.'
Act like a VIP and become a VIP
A lot of people ask me what has been the biggest change with me being in England and a lot of people expect me to say something related to football, but mostly it's just growing up and becoming a man.
When love hits you, it hits you and you don't expect it.
Chris Gayle is the biggest hitter. He hits long, he hits big, he is a big dude.
I think 'Teenage Wasteland' was one of those cult hits like 'My So-Called Life', something that came along and got a lot of viewers and then somehow fell into a bad timeslot that nobody ever watched, and then the network pulled the plug prematurely.
Not sure how I can be 'terminated' from a band that I founded, fronted and co-wrote many of their biggest hits. But that's something for the lawyers to figure out.
The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
My biggest fear is becoming a parody of myself. That's something I struggle with.
I don't think it takes much for a cult to be a cult. Many parts of our society are cultish, and you only need a charismatic leader and some teachings, and before you know it, you have a cult.
I feel like sometimes, when I talk about 'Transparent,' I'm in a cult. And in some ways, I guess I sort of am, although it's a cult that pays me, and I don't pay it, so maybe that's a really good cult.
When something is based on an iconic film, and we found this out with "The Producers" too, you've got to pay homage to what I'd call the greatest hits. ... People expect certain lines and moments they love.
To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.
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