A Quote by Diablo Cody
I don't know if I have some kind of defiance disorder or something, but if I'm hired to write something by "The Man," or by a studio, for whatever reason, it's really hard for me to finish. I inevitably wind up using that time to write something else.
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Every time you finish something ... you figure you've finally learned to write, right? Then you start something else and it turns out you haven't. You have learned how to write that story, or that book, but you haven't learned how to write the next one.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
I never wanted to write really cheesy pop lyrics - like, 'baby, baby, the sun is shining' - that's not something that interests me personally. I'm always wanting to write something that has some kind of meaning.
I write in spurts. I write when I have to because the pressure builds up and I feel enough confidence that something has matured in my head and I can write it down. But once something is really under way, I don't want to do anything else. I don't go out, much of the time I forget to eat, I sleep very little. It's a very undisciplined way of working and makes me not very prolific. But I'm too interested in many other things.
It's so hard to do anything that doesn't owe some kind of debt to what Stanley Kubrick did with music in movies. Inevitably, you're going to end up doing something that he's probably already done before. It always seem like we're falling behind whatever he came up with. "Singin' in the Rain" (1952) in "A Clockwork Orange" (1971) - that was the first time I became so aware of music in movies. So no matter how hard you try to do something new, you're always following behind.
I write songs when I need to. That's how I write songs: when there's something that's bugging me. If something's troubling me, and I don't really know how to articulate it to people directly - my friends, my family, or my girlfriend - then I'll write a song about it because I know I can articulate it that way.
There's basically an element of fiction in everything you remember. Imagination and memory are almost the same brain processes. When I write fiction, I know that I'm using a bunch of lies that I've made up to create some form of truth. When I write a memoir, I'm using true elements to create something that will always be somehow fictionalized.
I don't write songs that don't affect me on some level, because I figure if I am not moved by it, if its not something that I have a longing to celebrate or to be reminded of, if it doesn't affect me, then how can I possibly think it is going to affect somebody else. My touchstone is write something that matters.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
Write. Finish things. Get them published. Write something else while you're waiting for someone to publish the first thing.
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
I'm always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
When I finish a book, I always fear that I'll never write again. It takes a lot of time. You always think if you could just do something else - but nothing else makes me as happy.
I guess, and it may be a flaw, that I think about rhythm more [than anything else]. I'm always wanting to find something unusual. I've started to try and write more traditionally, but for whatever reason, I tend toward trying to find something that sounds more like a pattern to me.
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