A Quote by Diablo Cody

I always wanted to strip. I'm sort of one of those people who would walk past a strip club and while everybody else might give it a passing glance or cracks a joke, I'd be like pressing my face up against the window trying to see in. I was very curious always.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
Sober strip clubs are horrible. When you are sober you see the matrix code behind a strip club. You're paying girls to pretend to like you until you run out of money so they can walk away.
You know those guys that go to the strip club at the daytime? If you're at a strip club, and the sun is out, you got some problems!
I always wanted to build something in Vegas, especially off The Strip. I know how it is for locals. They don't like going to The Strip for entertainment or even to eat.
I did work in a strip club, but I didn't strip. I danced, and I became very popular.
If you're going to make as much money as you are, when you're fighting someone else, that's the one thing I always tell people is I would never turn down the truly rightful No. 1 contender in my division, because the UFC can actually strip you. They can say, 'You're not going to fight the No. 1 contender. We can strip you.'
I'd always wanted to do a weekly strip, or a strip that was in installments like that. It's been fun trying to figure out how to make that work. Their standards are so prissy that they won't allow me to use all kinds of language. Not only can you not swear, this morning I was informed I couldn't use the word "schmuck." I couldn't use "crap," "schmuck," or "get laid." Those three were beyond the pale. But you get around that, and it comes out better. I can't quite explain why.
Back in the olden days when we were rubbing sticks together, everybody wanted to have a comic strip, to live in Westport Connecticut, to have a Jaguar and to have a wife and two and a half kids and to have a girl in town in their studio in Manhattan that they'd romance, and then they'd have people ghost their strip. It was like this big dream.
I think, strangely, a strip club can tell you a lot about the city you're in. If you call a strip club "Tuna's," I've gotta go in there. Usually you're not seeing the top talent around, but it's not about that. It's about the experience.
I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.
I'm not always in a full face of make-up! That's actually one of the things I like about make-up - that you can strip it away and show your vulnerability.
You'll always see me at a political rally and the black strip club; I'm gonna represent smoking weed and supporting Trayvon Martin on my record, because I'm a whole man.
I joke, but I'm sort of serious: I've always wanted to get into a fight. I know that sounds horrible, but I always had the desire to see what it's like.
I don't enjoy lettering very much, but that's the way I write and that belongs in the strip because the strip is a reflection of me.
I was a very shy character, always feeling uncomfortable because everybody was stronger than I, and always afraid I would look like a sissy. Everybody else played baseball; everybody else did all kinds of athletic things.
'Blade Runner' was a comic strip. It was a comic strip! It was a very dark comic strip. Comic metaphorically.
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