A Quote by Diablo Cody

If this whole writing thing doesn't work out, I'll be getting right back on the pole. — © Diablo Cody
If this whole writing thing doesn't work out, I'll be getting right back on the pole.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
I'm the first to admit this whole salary thing is getting out of control. In the final analysis, it's still about the work.
But I couldn't cut that whole septic tank scene out because the audience liked it so much. So I sort of fell right back into getting a cheap laugh, but I still loved it.
I just figured that, for me to get the best out of myself and do the right thing by myself, I really just needed to step away and find out what I really wanted to do and hopefully getting back to where my people are from and getting out bush could really re-energise me and help heal those wounds.
When you're writing, you're putting thought into what you want to express, and then you come up with it - it comes to you. When you're improvising, it's the same thing. You're writing. You just say it out loud right then, instead of saying, 'You think this might work?'
I've fallen back on this periodically, although I must say that getting out of the grocery business ranked right up there with getting out of the army as one of the happier experiences of my life.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
Writing is hard work, not magic. It begins with deciding why you are writing and whom you are writing for. What is your intent? What do you want the reader to get out of it? What do you want to get out of it. It's also about making a serious time commitment and getting the project done.
Right now-whether you're in writing courses getting "paid" in credit for writing, or burdened and distracted by earning a living and changing diapers-figure out how to make writing an integral part of your life. Publication is good, and gives you the courage to go on, but publication is not as important as the act of writing.
This whole urban rap thing needs to be pulled back some. The ghetto is being glorified, and there's nothing good about the ghetto except getting out of one.
Oh sleep! it is a gentle thing, Beloved from pole to pole.
I did the whole struggling actor thing and lucked into being in the right place at the right time and getting involved in the first 'High School Musical.'
Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
I was doing the wrong thing, at the time I thought I was doing the right thing. It's like if you're dealing with somebody who is high on drugs, they can look back at it and say, "Wow, I was destroying myself." But during the period, they think they're doing the right thing. You just have to let the smoke clear so you can see the whole picture.
I'm looking forward to getting back to my house and my Ugg boots and not washing sometimes, and getting back to writing.
My favorite thing in the whole is getting to work with the actors.
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