A Quote by Diablo Cody

In the past, I'll admit, I've enjoyed being compared to the protagonists in my screenplays. — © Diablo Cody
In the past, I'll admit, I've enjoyed being compared to the protagonists in my screenplays.
I think that compared to other politicians who have been put in jail in the past, compared to the human-rights activists in history who have had to face political prosecution, the activists in Hong Kong nowadays are already quite lucky compared to that.
People love to admit they have bad handwriting or that they can't do math. And they will readily admit to being awkward: 'I'm such a klutz!' But they will never admit to having a poor sense of humor or being a bad driver.
In my screenplays - from the very beginning I've always used tape. I talk my screenplays. And then have somebody transcribe them.
My grandparents would never admit to being Tasmanian, but I think it's really great and funny. But I guess, in the past, Tasmanians just weren't quite accepted. You had that lazy reference to them being felons.
To admit regret is to understand that we are fallible - that there are powers beyond us. To admit regret is to lose control not only of a difficult past but of the very story we tell about our present. To admit sincere and abiding regret is one of our greatest but unspoken contemporary sins.
I've enjoyed being a baseball owner more because I've enjoyed owners being allowed to participate.
My approach to making movies is different than other people, because I just write a lot of screenplays. I'm constantly writing screenplays.
I have completed and uncompleted screenplays, but they both fall into the category of “unsold.” I've seen quite a few movies where the screenplays seemed to be in the “uncompleted” category yet still got sold and made into movies, so I generally refer too all screenplays as “sold” or “unsold.” But that's just my own filing system.
Douglas Adams did not enjoy writing, and he enjoyed it less as time went on. He was a bestselling, acclaimed, and much-loved novelist who had not set out to be a novelist, and who took little joy in the process of crafting novels. He loved talking to audiences. He liked writing screenplays. He liked being at the cutting edge of technology and inventing
I choose to be inspired by things that have been done well in the past. So, I don't worry about being compared, because I think that does paralyze you.
Being compared to Ian Thorpe, that could be one of the greatest compliments you could ever get in swimming - being compared to him and Mark Spitz.
I don't mind being compared to Whitney (Houston), there are people miles worse to be compared to.
I don't mind being compared to Whitney, there are people miles worse to be compared to.
But I can't confront the doubts I have. I can't admit that maybe the past was bad, and so, for the sake of momentum I'm condemning the future to death so it can match the past.
Well, you just know, as a writer, I didn't really write one of the five best screenplays of the year. There were lots of brilliant screenplays; I was just one of the lucky ones who got nominated.
I've been compared to so many people - Streisand, Celine - it doesn't bother me. Why worry about being compared to the best?
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