A Quote by Diamond Dallas Page
Wrestling and horror just sort of go together.
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I think metal and horror definitely go hand in hand. Even when you go to a horror convention and meet the fans, nine out of 10 times if they're not wearing some sort of horror shirt, they're wearing a shirt with a metal band on it.
Buddy Hackett [was] talking - this is Hackett, not me - about the Virgin Mary, a limerick sort of thing, and all these children and families ... the look of absolute horror. He's going on and on and on, and finally he stops. It's just total horror, and the camera's still rolling. You can hear it, sort of a grinding noise. And the director says, "Anything else, Bud?"
I go back and watch a lot of the stuff that I did back in the day, and it was a lot of wrestling just to show that I could wrestle. And I realized that sort of stuff is sort of pointless.
I feel like too many horror writers and filmmakers sort of just assume that the default is, 'The horror movie must be all atmosphere first and everything else second.'
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
Most parents were, like, Little League coaches and all that. My dad was a wrestling fan. Instead of going out and playing home run derby with my old man, we just watched wrestling together.
It's been a real sort of juxtaposition in my life because I've gone from wrestling for the past 15/16 years to this new role where I'm essentially running a wrestling company so, during the week, where I used to train and work out and go tan, now I'm working 24 hours a day.
The true game of mixed martial arts is putting your wrestling in there, putting your striking in there, but also being deceiving - hiding behind your punches if you're wrestling and hiding behind your wrestling if you're punching. It's just a matter of blending it all together.
My first horror film was - well, I don't know. 'Bless the Child' is sort of genre, but 'May' was such a cult hit that after that, I just started getting offers for horror. I think I got a little bit pigeonholed in it right off of 'May' because there was just such a large response to that film.
My wrestling actually helps my striking and my striking helps my wrestling. I just learned how to put it all together through synergy.
I remember when I had just left WWE and I was wrestling in England and Germany, I could just tell that this influx of this new wave of wrestling was coming much like it felt when I began wrestling back in '99.
Metal fans have a connection. There is something there; just like the wrestling world, they are die hard about wrestling, and it's that passion that makes you enjoy what you do. That is why I go to metal shows; you watch these dudes on stage just shredding and letting loose. You can't help but love it.
I have wrestling. Yes, I do; my background is wrestling. I have knockout power. Just because I don't go out there and use it all, you don't have to use it all to win fights.
You can't fake wrestling. We can fake punch, but with wrestling you just have to go ahead and do it. You really need to see the hand hit the face, the head butting and everything.
There are conferences every year where all the major coaches get together, and they talk about the issues in wrestling, what's going to happen. There's a major governing body, U.S.A. Wrestling, which oversees a lot of the issues. The organization is there in wrestling to make a very well-balanced, organized system.
Reading the script for 'Jennifer's Body,' I just thought that here was a script that really exposes the horror between girls and friendships. I always sort of approached the film with that in mind first, and then thought about the crazy ways that that horror would express itself.
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