A Quote by Diana DeGarmo
There was a perception that reality-show people are just mere personalities, that they don't have real talent, and I worked real hard to change peoples' minds, one show at a time, and proved a lot of people wrong. I'm proud I was the first to do that for 'Idol' on Broadway!
Related Quotes
I'm proud of everything I achieved with 'Idol,' and away from 'Idol' also. It's just such a different show now to what it was when I was on it. I didn't even know it was a TV show until the third audition.
You almost never get the pleasure of seeing that you won the argument in real time. People just don't like to publicly change their minds. They change their minds in private.
I'm proud of the work that we did, and my hope is that everyone who worked on 'Kroll Show,' it will be a credit that people will be like, 'Oh, you worked on that show? The word on that show was that it was good.'
Wrestling is the first reality show. With a reality show, you never what is real and what is not.
I just think people have a lot of fiction. But, you know, I mean, the real story of Facebook is just that we've worked so hard for all this time. I mean, the real story is actually probably pretty boring, right? I mean, we just sat at our computers for six years and coded.
My favorite show of my father Aaron Spelling is probably a show that was his favorite and that was a show called Family. He was the most proud of that show because, you know, my dad kind of got a bad wrap, I think. A lot of times people would say oh he just makes jiggle TV and it's all for entertainment purposes. But he did some really amazing shows as well that he was really proud of, that people kind overlooked. And Family was one of them.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
I just want to show that you don't have to be changing yourself 100 percent to be someone that you're not. You don't have to change yourself to be someone like your idol. You can be someone's idol just by being you. But also, it takes a lot of work and time to be that sort of person.
When real substantive change happens it's the people who watch your show, they're the ones that make it happen. It's people whose names are not highlighted in history books. They're the ones that stand up in their place and time to make change.
There did not have to be a moral. She need only show separate minds, as alive as her own, struggling with the idea that other minds were equally alive. It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding, above all, it was the failure to grasp the simple truth that other people are as real as you. And only in a story could you enter these different minds and show how they had an equal value. That was the only moral a story need have.
I'm completely unlike a lot of other performers in the past who have been forgiven or come to terms with the real world because they tell everyone their performance is 'just a show.' And so, people say, 'Oh, it's OK then. We don't care. He's not really a bad person.' It's not just a show for me. It's my life.
I did a couple of little Off-Broadway things, but my first Broadway show was A History Of The American Film, written by Chris Durang. Swoosie Kurtz was one of the stars. It was a wonderful show. It closed in 40 performances. I think it was kind of ahead of its time.
'American Idol' gives people really wonderful opportunities, and they shouldn't take flak for what people do with that opportunity after they leave the show. A lot of casting rooms I was in, that was the only thing on my resume, and people would just be like, 'Oh, here's Katie Stevens. Another 'American Idol' girl who thinks she could be an actor.'
'Hairspray' was my first Broadway show. In the meantime, after the show was over, I would go down and do gigs at these clubs that I wasn't even old enough to get into. That continued on, and I think what ended up happening was that I just got these incredible opportunities on Broadway.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
I think the most important thing is to leave people inspired to do something, to realize their purpose in life. I want people to show love to each other. What I love about performing live, and especially in smaller intimate venues, is the real connection you have with the fans that you can't get in a studio or a big arena. It allows me to have real moments with my fans. I just want the night to be filled with good energy, love, and for people to leave the show happy.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician