A Quote by Diana Gabaldon

I was 35, had always wanted to write novels, and thought that I had better do it while I was young enough. — © Diana Gabaldon
I was 35, had always wanted to write novels, and thought that I had better do it while I was young enough.
I always wanted to write novels, even before I had read a lot of novels or had a very good idea of what they were.
I thought that if one wanted to be a writer, one had to write novels because I didn't know that one could be a poet.
Well, writing was what I wanted to do, it was always what I wanted to do. I had novels to write so I wrote them.
And, partly, I had found that theory-structure was a superpower in helping one get what one wanted. As I had early discovered in school wherein I had excelled without labor, guided by theory, while many others, without mastery of theory failed despite monstrous effort. Better theory I thought had always worked for me and, if now available could make me acquire capital and independence faster and better assist everything I loved.
I feel like 35. At 35 you're old enough to know something and young enough to look forward to what you can do with the knowledge. So I stayed at 35!
We have many dreams and many different chapters in life and I think life is about chapters. For me, from the time I was pretty young, I always thought that if I was lucky enough to achieve my dreams and if I had financial security, at a certain point in my life I wanted to give back. I wanted, just corny as it sounds, to try and make the world a better place.
When the show started out, it was like all of a sudden we had to do 35 episodes and we had just a month and a half to write them, and it took me a while to realize that I was in charge.
I just always loved comedy and I really wanted to be good at it. And it was heartbreaking, 'cause I started and I wasn't good at it. I was only 17-years-old, so I had a lot to learn about life in general. But I just kept on trying. I was young enough and stupid enough and I had no other choice. I had nothing else I was good at.
Maybe you had to be dying to finally get to do what you wanted.I fidgeted around with the puzzle pieces for a while longer, but I wasn't lucky. Nothing seemed to fit without a whole lot of work.Then I had this thought: What if it was enough to realize that you would die someday, that none of this would go on forever? Would that be enough?
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
I looked back at the years since I'd left college and thought of the list of things I'd have liked to do. I'd always wanted to write a book - not a small undertaking. I never felt I had the time or creative energy to spare in order to write one as well as I wanted.
I had the good fortune to be able to right an injustice that I thought was being heaped on young people by lowering the voting age, where you had young people that were old enough to die in Vietnam but not old enough to vote for their members of Congress that sent them there.
Why had I been so afraid? I had not loved enough. I'd been busy, busy, so busy, preparing for life, while life floated by me, quiet and swift as a regatta...I had had all my time, all my chances. I could never do it again, never make it right. I had not loved enough...I had not passed up all my chances to give love or receive it, and I had the future, at least, to try to do better.
I thought the best thing to do to bring me back to reality would be to have a child, and by the time I had my first, Taylor, when I was 25, we'd sold 35 million records as a band, and I'd had enough; I knew my sanity was more important than success.
I always wanted praise and I always wanted attention; I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
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