A Quote by Diana Gabaldon

All I had when I began writing the first book was rather vague images conjured up by the notion of a man in a kilt, so essentially I began with Jamie, although I had no idea what his name was at the time.
I got that first record out, it came out in '47... Then my name began to ring around. I began to take over. From that point, I tell you, Chicago was in my hand, all the more time that those guys had to listen to me.
There's no evidence whatsoever that Darwin had anything useful to say or anything to say period about how life began or how the universe began or how gravity began or how physics began or fluid motion or how thermodynamics began. He had nothing to say about that whatsoever.
The first time I dedicated myself to resurrecting and preserving somebody's memories was with my great-uncle. I knew he was going to die in the next few years, and I had grown up listening to all his stories about people who had been trapped or chased by the Nazis. I began to record them.
Gradually I began to intellectually reject some of the delusionally influenced lines of thinking which had been characteristic of my orientation. This began, most recognizably, with the rejection of politically-oriented thinking as essentially a hopeless waste of intellectual effort.
The first time I was in his office was when they called me in to tell me they had changed my name. I had a feeling that if I'd gone along with the name they'd chosen, I'd never be seen again. I'd be swallowed up by that name, because it was a false name: Kit Marlowe.
I decided that now is the time to start doing the things that really interest me and I find important. It was in the 10 years of the MacArthur grant that I began working on my first book... and I began putting more work into environmental history.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
When I first began writing In the Country of Men all I had was the voice of the protagonist. He intrigued me and my desire to want to know him and his world became almost compulsive.
I began to see myself as someone who can help others understand diversity rather than feeling like a social outcast. Ellen taught me to not care about other people's opinions. She taught me to be truthful. She taught me to be free. I began to live my life in love and complete acceptance. For the first time I had truly accepted myself.
Now he began to see for the first time the unbelievable magnitude of what man, when he gained power to understand and rule the world in terms of dialectic truths, had lost. He had built empires of scientific capability to manipulate the phenomena of nature into enormous manifestations of his own dreams of power and wealth...but for this he had exchanged an empire of understanding of equal magnitude: an understanding of what it is to be a part of the world, and not an enemy of it.
The notion of the single man began in the 1950's. The idea of the bachelor as a separate life was new and obscure.
When the doctor said I had diabetes, I conjured images of languishing on a chaise longue nibbling chocolates. I have no idea why I thought this.
. . . Moon-Watcher felt the first faint twinges of a new and potent emotion. It was a vague and diffuse sense of envy--of dissatisfaction with his life. He had no idea of its cause, still less of its cure; but discontent had come into his soul, and he had taken one small step toward humanity.
When I began to listen to poetry, it's when I began to listen to the stones, and I began to listen to what the clouds had to say, and I began to listen to others. And I think, most importantly for all of us, then you begin to learn to listen to the soul, the soul of yourself in here, which is also the soul of everyone else.
The idea of directing was something that I always had in the back of my mind, and writing as well. I began to write screenplays when I was in my 20's.
One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
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