A Quote by Diana Krall
So much of what we do as artists is a combination of personal experience and imagination, and how that all creeps into your work is not so linear.
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Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
Artists don't compare themselves to each other based on money. Nobody really knows what money other artists have. They don't care that much. The measure is the work and how you think your work is perceived. How the museums are. How you are doing.
Regular people don't even realize how much artists mean to them. Artists represent a lot to the average person. People listen to music all day on their iPods, so as artists, we become a real fixture in people's lives. As an artist, you can't take it personal. It's like your big brother teasing you.
A lot of artists are much more concerned about how their work is used and how it's disseminated. That, to artists, is as important as the money, for some people.
I realize how much my life lines up with artists like Marvin Gaye and Sam Cooke. My sound comes from church, but the stories come from actual personal experience, being out there in the streets living life.
It's incredible how much beauty exists in the world of music and how many artists you can really inspire with your own work.
Your imagination has much to do with your life.... It is for you to decide how you want your imagination to serve you.
The format's limitations are its strengths. We can't show you the monster, but why would we want to? Your imagination is a darker and scarier place than anything that can get generated on a computer. Asking the audience to use their imaginations makes it a much more personal and interactive experience.
When I write music, I know a lot of artists like Taylor Swift or Ed Sheeran tend to write from personal experience. I write from personal experience, of course, but I don't limit myself to that.
No matter how much experience we may gather in life, we can never in life get the dimension of experience that the imagination gives us. Only the arts and sciences can do that, and of these, only literature gives us the whole sweep and range of human imagination as it sees itself
As someone who flew two space capsules and twice landed in the ocean, I can attest from personal experience how much logistics work is needed to get you home.
It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.
It's a combination of how much efforts you put in, how much you're working on a daily basis on your goals and it also has to do with a bit of luck. It's difficult but you've to be very patient. The main thing is perseverance.
Writers to some extent are childish, and it's at the childish level that one really engages with any experience. What really moves you is at the very personal, childish level of the imagination. My business is the imagination, and my imagination is engaged by Asia.
You can say the president's private life takes up so much of his time that he doesn't focus on his job, so therefore he's terrible. But in my imagination, the 23 hours of the day that we don't experience, he's very hard at work. He's quite an effective and successful president - in my narcissistic imagination.
If you are to do justice to [the great roles], you must fly up to them - rather than dragging them down to you - by expanding your range of knowledge and strengthening your imagination. Your imagination must become as real to you as your memories and feelings. What you take into yourself about psychology, politics, sociology, history and so on, will allow you to reach places in yourself you didn't know existed. No line, no image, no thought can be left general. Each must be specific and personal. Your work is not complete until this is so.
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