A Quote by Diana Ossana
One of the jobs of art is to inspire discussion, and Brokeback Mountain certainly has done that. It's like a window and a mirror. You're looking through a window at lives you may or may not have experienced. But it's a mirror in the sense we've all felt lonely; we're all, at one time or another, looking for and hoping for love.
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Stop looking in the mirror and start looking out the window.
The act of writing itself is much like the construction of a mirror made of words. Looking at certain illuminated corners of or cracks within the mirror, the author can see fragments of an objective reality that comprise the physical universe, social communities, political dynamics, and other facets of human existence. Looking in certain other corners of the same mirror, he or she may experience glimpses of a True Self sheltered deftly behind a mask of public proprieties.
Without going outside, you may know the whole world, without looking through the window, you may see the ways of heaven. The farther you go, the less you know. Thus the sage knows without traveling; he sees without looking; he works without doing.
Speaking about symmetry, look out our window, and you may see a cardinal attacking its reflection in the window. The cardinal is the only bird we have who often does this. If it has a nest nearby, the cardinal thinks there is another cardinal trying to invade its territory. It never realizes it is attacking its own reflection. Cardinals don't know much about mirror symmetry!
In any case, whenever technical progress opened a new window into the surrounding world, I felt the urge to look through this window, hoping to see something unexpected.
Tommy had felt alone in a crowd before, even inferior to everyone in a crowd, but now he felt, well, different. It wasn't just the clothes and the make up, it was the humanity. He wasn't part of it. Heightened senses or not, he felt like he had his nose pressed against the window, looking in. The problem was, it was the window of a donut shop.
Whether you are Minor White or Robert Frank, almost every photograph starts with an act of pure description - a window. But every now and then you catch a glimpse of the photographer's reflection. The mirror is just another function of the window.
For a long time after childhood ended and before I expressed my femininity through androgyny, I really didn't like looking in the mirror much because I just felt like I wasn't attractive.
Looking back in front of me, in the mirror a grin. Through eyes of love I see, I'm only looking at a friend.
Poetry looking in the mirror sees art, and art looking in a mirror sings poetry.
Stop the blame game. Stop! Stop looking out the window and look in the mirror!
There are so many people who have a training in art history; and if you've spent time looking at old art, you become attuned to what art does through materiality and so you begin to look to that in contemporary art as well. And anyway, I do think that matching one's experience with what you're looking at and questioning what you're looking inevitably involves materiality, just like it involves the sense of place.
We have to pay attention to one another, regardless of how someone may look or act, look again. Looking at people is like looking at art. I may look at a painting and dislike it because I don't understand it but then I'll look deeper and I'll see things better.
Looking in the mirror to check if my tie is straight is a waste of my time. I only look in the mirror once a day, and that's in the morning when I shave.
Punk is like looking at a mirror. I already have a mirror so I don't need the Offspring to remind me how gorgeous I am.
What I really felt like, though, was committing suicide. I felt like jumping out the window. I probably would've done it, too, if I'd been sure somebody'd cover me up as soon as I landed. I didn't want a bunch of stupid rubbernecks looking at me when I was all gory.
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