A Quote by Diana Ossana

Emotional truths can sometimes be conveyed more effectively, more compellingly, through fiction. — © Diana Ossana
Emotional truths can sometimes be conveyed more effectively, more compellingly, through fiction.
It's difficult to make movies. For me it was easier, as a refugee in Switzerland, to make documentary films, because I didn't need a lot of money for it. The way I tell my story or my opinion would be very similar in both fiction and documentary forms. But I found I could speak more effectively to convey this brutal reality through documentary than I could through fiction.
Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths.
I believe that the future for a more effective, more efficient way of approaching the challenges Europe is facing is going to be more properly and more effectively handled and seen through the member states.
Emotional truths woven by lawyers in the court of law are apparently more important than the truths of actual events. I have grown to fear for those whose innocence became trapped within the legal system.
One learns much more by writing fiction, because the insights come from those deeper subconscious levels where the greater and more interesting truths lie.
By and large, I seem to have made more mistakes than any others of whom I know, but have learned thereby to make ever swifter acknowledgment of the errors and thereafter immediately set about to deal more effectively with the truths disclosed by the acknowledgment of erroneous assumptions.
I tend to listen to music more than I read. I need to get into reading a bit more. The stuff I tend to read is usually non-fiction books more than fiction, but I've been trying to power my way through Dostoevsky's 'Crime and Punishment,' and I do enjoy it.
In some ways I spend longer at non-fiction because there are a lot of different threads to bring together. But non-fiction is more reflective than immersive. The problem with fiction sometimes is that you have to leave the real world to enter the fictional one. And that takes so much, goes into your head for so long?.?.?.?I don't know, I just feel less inclined toward that these days, and more inclined to remain in my own life. I do like really good fiction, but it's getting harder to hold my attention in a novel.
It is even possible that desirable redistribution is more likely to occur through climate change policy than otherwise, or to be accomplished more effectively through climate policy than through direct foreign aid.
From aerial robotics to big data analytics, technology presents the opportunity to expedite and magnify the impact of humanitarian relief efforts through greater efficiency and responsiveness: reaching more people, sooner, more cost-effectively, and saving more lives.
Acting is about truths and the more truths you're able to tell and share with your audience the more connection there will be.
I have more freedom when I write fiction, but my memoirs have had a much stronger impact on my readers. Somehow the 'message,' even if I am not even aware that there is one, is conveyed better in this form.
Dreaming is another form of thinking, more concrete, more economical, more visual, and often more emotional than the thoughts of the day, but a thinking through of the day, nevertheless.
Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
One of the main reasons I write fiction is to try to understand what life is like for people other than myself, to try to see the world through my characters' eyes. I often find that I'm able to understand certain emotional truths about my own life by exploring things from different vantages.
To me it is no mystery that we can only photograph effectively what we are truly interested in or-maybe more importantly-are grappling with. Often unconsciously. Otherwise the photographs are merely about an idea or a concept-that stuff eventually falls flat for me-there must be something more, some emotional hook for it to really work for me.
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