A Quote by Diana Rigg

I love being directed. Because it's another thought, it's another fresh idea. You're so grateful for an original idea that you haven't had. — © Diana Rigg
I love being directed. Because it's another thought, it's another fresh idea. You're so grateful for an original idea that you haven't had.
No thought, no idea, can possibly be conveyed as an idea from one person to another. When it is told it is to the one to whom it is told another fact, not an idea. The communication may stimulate the other person to realize the question for himself and to think out a like idea, or it may smother his intellectual interest and suppress his dawning effort at thought. But what he directly gets cannot be an idea. Only by wrestling with the conditions of the problem at first hand, seeking and finding his own way out, does he think.
The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.
This idea that somehow or another, every idea on its face, because it's an idea, has some validity is ludicrous.
Every improvement that is put upon the real estate is the result of an idea in somebody's head. The skyscraper is another idea; the railroad is another; the telephone and all those things are merely symbols which represent ideas. An andiron, a wash-tub, is the result of an idea that did not exist before.
Whenever I finish a movie, I usually go through a period where I think I'll never have another idea. And then, somehow, you get another idea.
People don't understand this: Ideas are important, but they're not essential. What's essential and important is the execution of the idea. Everyone has had the experience of seeing a movie and saying, "Hey! That was my idea!" Well, it doesn't mean anything that you had that idea. There's no such thing as an original concept. What's original is the way you re-use ancient concepts.
Just when I thought there wasn't room enough for another thought in my head, I had this great idea—
An idea can be greater than the Sun, because with an intelligent idea, man can discover the way to create another sun! Idea is the greatest power in this universe!
It's a very teenage idea - this idea that thought is ruined when we give over to television shows and glossy magazines and what they are telling us to do. The alternative, I believe, in is pitiless censorship. Because we owe each other the best effort we can to see one another without that mediation.
Thought engenders thought. Place one idea on paper, another will follow it, and still another, until you have written a page; you cannot fathom your mind. There is a well of thought which has no bottom; the more you draw from it, the more clear and fruitful it will be.
Everyone has the ability to be creative. Everyone has the ability to connect one idea with another, to find an idea in another department, organization, or industry, and connect it with another to solve the challenge at hand.
Those silly girls had no idea what they were really celebrating. They had no idea what it took to bring Agatha and her friends together seventy-five years ago. The Women's Society Club had been about supporting one another, about banding together to protect one another because no one else would. But it had turned into an ugly beast, a means by which rich ladies would congratulate themselves by giving money to the poor. And Agatha had let it happen. All her life, it seemed, she was making up for things she let happen.
None of us had any idea of how successful Downton was going to be. I thought I was signing up for another period drama that had a slightly modern feel. It had a freedom about it because it was coming out of the head of Julian Fellowes. Anything could happen and generally did.
I love filmmaking because it's like harvesting as a farmer. I have an idea, I get the financing, I write the script and then cast and shoot and edit. Then there is opening night, and after that I get another idea.
I really love the idea of stepping into another character and being able to sing maybe stuff that is not my thought and my own opinions, but be able to portray someone else and take a walk in their shoes for a while.
But having had your bright, fresh, original idea, the really hard part is turning it into a successful product. That's what takes all the sweat.
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