A Quote by Diana Rigg
The thing I absolutely hate is when directors don't know what they want, and then they ask you to do it this way, and then maybe that way, and maybe that way, because they haven't made up their minds what they want. So you're running around in circles trying to give them what they want.
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Maybe this is a way of gaslighting myself, but I think of it this way: In certain circles, my grandpa was considered to be one of the seminal directors of the 20th century. I'm never going to be that. So I might as well do whatever I want.
I want to figure out a way to not be stupid with money, then make a whole bunch of it, then I want to move to Outer Mongolia. I want to milk a yak. Maybe I'll just settle for a cow.
I don't like to work with directors who have taken an adoption from another script writer, because it's too much: one of them writes it and then has to explain it to the other, or maybe the director sees it in a way the writer doesn't want it.
I want to figure out a way to not be stupid with money, then make a whole bunch of it, then I want to move to Outer Mongolia. I want to milk a yak. Maybe I'll just settle for a cow. Can you milk a bison?
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
If the lyrics are something new, then maybe I want to give it a more traditional form, or the other way around, but not have all one or the other.
There is no way, absolutely no way, that I would want people to stop reading the 'Odyssey.' But I want them to read it with their eyes open. To notice it and then to think what it says about us.
If people want my advice, I will gladly give it to them. If they don't ask, I won't feel inclined to because maybe they didn't want to know.
The similarity between the big directors I've worked with is that they allow the writer to find a way of doing what they want done without saying 'do it this way.' They describe what they want, then letting the writer figure out a way to do it.
You can't do the same thing every day with the horse. Because they then know the thing inside out, and they're leading you, not the other way round. You don't want them to take over. You have to be able to ride the movements and set the movements up; you don't want them starting before you are ready.
Actors basically do their thing on the set, and then you put all the pieces together, switch them around, and maybe put them a different way that looks better. We just give him everything he needs, and then he goes in and does his thing.
We all compromise ourselves, from time to time, because maybe it will lead to more opportunity...A ll of that’s cool, but we forget and we get caught up. If you want that nurturing, caring, empathetic, compassionate heart to keep on ticking and be around, and you want it to be strong, then don’t neglect #1. One way to feed it is just being truthful and listening to your heart.
If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
If you look at how humans tend to want to sleep, it seems to be either, you know, sort of a monophasic way or at least a biphasic way, where there's, perhaps, a long bout during the night and then maybe a siesta-like pattern during the day.
Every day I get a choice. I can choose to go God's way or I can choose to go my own way or Satan's way or if I walk out of this door I don't know that I blame myself if my choice. .. because the bottom line is I want what I want what I want. ... People ask me what the greatest sin is. I feel the greatest sin is to want to be God: Pride, I want my own way. What it means to be a follower of Jesus Christ - give as much of yourself as you understand to as much of Jesus as you understand at that moment.
My whole thing is I want to have a backup plan because maybe I won't get another acting job after 'Fame', maybe I'll want to give up on acting in five years or whatever and I want to have something else that I enjoy just as much as I enjoy acting.
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