A Quote by Diana Rigg

I thought it was ridiculous that I was being paid less than a cameraman, and I wanted to shame them. And I did. — © Diana Rigg
I thought it was ridiculous that I was being paid less than a cameraman, and I wanted to shame them. And I did.
As a cameraman, I was paid to stand within a few feet of Yehudi Menuhin performing. I saw Rudolph Nureyev dancing. I couldn't believe I was being paid for that.
Often I pretended to a cameraman to know less than I did. That way I got more cooperation.
It's ridiculous that Claire Foy got paid less than Matt Smith on 'The Crown.' That makes absolutely no sense whatsoever.
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
One thing my mother always instilled in me is to always know my worth. Don't settle for less. She used to say to me 'Iman, no is a complete sentence, learn to say no. You don't have to explain it you don't have to say anything after it. It's a complete sentence.' So when I came to America 1975, I found out that the black models were being paid less than white models. So the first thing I did was say I'm not going to do the job unless I'm paid the same amount.
One of the things I did when I discovered this huge importance of being vulnerable is very happily moved away from the shame research, because that's such a downer, and people hate that topic. It's not that vulnerability is the upside, but it's better than shame, I guess.
There is not less wit nor less invention in applying rightly a thought one finds in a book, than in being the first author of that thought.
Poverty is, except where there is an actual want of food and raiment, a thing much more imaginary than real. The shame of poverty--the shame of being thought poor--it is a great and fatal weakness, though arising in this country, from the fashion of the times themselves.
I did not think much what I was writing them for, except that I knew I wanted my next novel to be in some less conventional form than straight narrative.
The heroes of obtrusiveness, people with whom no soldier would lie down in the trenches, though he has to submit to being interviewed by them, break into recently abandoned royal castles so that they can report, "We got there first!" It would be far less shameful to be paid for committing atrocities than for fabricating them.
I did a lot of writing when I was in college, and that's what I thought I wanted to do; saying that I wanted to be a writer seemed more reasonable than saying I wanted to be a musician.
I guess that there are many ways to look at being single, and none of them should include shame or feeling less valued.
The sickness of our times for me has been just this damn thing that everything has been getting smaller and smaller and less and less important, that the romantic spirit has dried up, that there is no shame today. We're all getting so mean and small and petty and ridiculous, and we all live under the threat of extermination.
There's a lot to be said about stability. So many people don't get married nowadays - you see it less and less - but it's a shame if you don't ever have that experience of sharing something with someone else. It's a real shame.
As far as commercials were concerned, I did very few, and I did them only when they gave me carte blanche to them the way that I wanted to. And I did them as an exercise, because I, who do very long films, never thought I would be able to tell a story in 30 or 40 seconds - you come across a whole new system and manner of approaching a subject.
I wanted to run after him, but remembered that it is ridiculous to run after one's wife's lover in one's socks; and I did not wish to be ridiculous but terrible.
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