A Quote by Diana Rigg

If a man holds a door open for me or pulls back a chair so that this old bag can sit down, I'm delighted. — © Diana Rigg
If a man holds a door open for me or pulls back a chair so that this old bag can sit down, I'm delighted.
If a man holds a door open for me or pulls back a chair so that this old bag can sit down, I'm delighted. Women who moan and carp about that sort of thing are stupid
I reached a point towards the end on the old heart where I had trouble getting out of a chair. All I wanted to do was get out of bed in the morning and walk to my office and sit back down in the chair. Now I throw 50 pound bags of horse feed in the back of my pickup truck and I don't even think about it. I'm back doing those things.
I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.
I like when they open the door and pull out a chair. I'm really into a man's man.
I quite like it to be risky. I'm not ready to sit down in a chair with my name on it yet. I've arrived at that point in the art world where there really is a chair that you sit in.
I’m a Southern girl. I like when they open the door and pull out a chair. I’m really into a man’s man.
I'm a Southern girl. I like when they open the door and pull out a chair. I'm really into a man's man.
We never slam the door on flattery, we nudge it shut like a man rejecting his mistress: if she nudges back, we're delighted ? and if she breaks it down, we rejoice.
Sometime years before, I had dragged an old bean bag chair to that place. I watched Zach sink onto it, and then he pulled me down to lean against him. I felt his arms go around me, holding me tight. I was safe. I was warm. I was home.
Most terrors are but spectral illusions. Only have the courage of the man who could walk up to his spectre seated in the chair before him, and sit down upon it; the horrid thing will not partake the chair with you.
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
The door might not be opened to a woman again for a long, long time, and I had a kind of duty to other women to walk in and sit down on the chair that was offered, and so establish the right of others long hence and far distant in geography to sit in the high seats.
Marcus Trescothick. No question. I hate bowling to him. I pitch it up, he drives me through the covers. I bowl back of a length, he runs me down to third-man. I go short, and he lifts me over the keeper or pulls me for four.
The chivalrous man who holds a door open or signals a woman to go ahead of him when he's driving is negotiating both status and connection.
[On being first black woman to earn a PhD in economics and first black woman admitted to Pennsylvania bar:] I never looked for anybody to hold the door open for me. I knew well that the only way I could get that door open was to knock it down: because I knocked all of them down.
I'm like, OK, God, if there is an open door for me somewhere, this is what I always pray, I'm like, don't let me miss the open door. Show me where the open door is.
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