A Quote by Diana Rigg

I get tetchy with myself when I forget. I also get tetchy when directors ask you for take after take after take after take for no apparent reason. I've heard Maggie Smith gets tetchy for the same reason.
I quite enjoy that, seeing people get tetchy.
I'm an impatient person, so it's hard for me to sit around and do take after take after take.
I hate alarms. If they go off I get really tetchy. I hate them. They just get me going, I'm hyper at the best of times, but they drive me mad.
If you're doing an indie and you have time, sometimes you can do take after take after take, but if you're working in television on that filming schedule, you don't always have the time to do that. You learn very quickly, I think, how essential it is to come in with the strongest choice that you have.
As a mother I think you often get so caught up in trying to take care of everyone else that you forget to take care of yourself. But I'm a much better wife and mother when I take the time to take care of myself.
I find it easier to cry than I do to laugh convincingly. It's incredibly hard to pull off a laugh that feels natural take after take after take, that feels real. You can tell a fake laugh the minute you hear it, and that's something I really struggle with more than producing tears.
What I like best about baseball is the continuity. Generation after generation can follow the game and get the same satisfactions year after year and bring to it the same interest and spirit. I want to take that with me into the next century.
Nobody can possibly be so hungry that they need to take a life in order to feel satisfied - they don't after all, take a human life, so why take the life of an animal? Both are conscious beings with the same determination to survive. It is habit, and laziness and nothing else.
When I write an email where I outlined a whole scene, it just came out of my unconscious, it comes from a deeper place. The same thing happens when the actors go, take after take, and just get lost in it. When you're in a house, you don't think about being in the house; you're just there.
Memory is all we are. Moments and feelings, captured in amber, strung on filaments of reason. Take a man’s memories and you take all of him. Chip away a memory at a time and you destroy him as surely as if you hammered nail after nail through his skull.
My wife always asks me why I don't make the bed. And I respond with the same reason why I don't tie my shoes after I take them off.
What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.
I am just a journeyman actor. Most often I take what's offered me, and I've been able to work year after year. I was in 'Scarface.' Some people think this must have done me a world of good. Truth to tell, six months after 'Scarface' I had to take a job with a real estate development friend for a few months just to get by.
Companies have to take risks to get new knowledge, in a manner similar to how jazz musicians take risks when they go after a new approach to a tune or a performance.
For 10 days after the Olympics, I couldn't go back to my house because people were sitting outside waiting to take my photo. That was a bit rubbish. At first I was open: 'Yeah, of course you can take a photo...' but after a while, it got to the point where I thought, 'Whoa, I don't like this attention anymore.'
I would train every day after school from 3.30pm until 5.30pm and then I had to take three buses to get home, which would take at least two hours.
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