A Quote by Diana Rigg

I step into a character in my public life. People who don't make that distinction are dooooomed. — © Diana Rigg
I step into a character in my public life. People who don't make that distinction are dooooomed.
I never make a distinction between private life and politics - that's a petit bourgeois thing. How can you make a stand against Nazi Germany, or in Rwanda, when you live life by making that distinction?
I figure if people don't want to make the distinction between a Muslim and a terrorist, then why should I make a distinction between good scared white people and racists?
I think it always helps when you build a character, and then, you actually step into that character's wardrobe, something else happens. Another angle of the character comes to life.
There are some people who make a big distinction between n - a, which they say is OK, and n - - . Now, in my view, it's important to know about that distinction, because some people put a lot of weight on it. I don't.
Going public is one step in the life cycle of a company; it's not the last step.
The story of my life has been of public interest, which is why I've been so passionate about having a private identity. When I step into a character, people have to be able to suspend their disbelief; they have to be able to divorce me from Hermiona. And not having everyone know every single intimate detail of my entire life is part of me trying to protect my ability to do my job well.
Some people see life as many steps up and try to forget where they are coming from, you understand? A little step in life on a commercial or a material level is a good step, but a big step does not mean a strong step - you tend to lose your roots - and if you don't be careful, you can fall.
The effort to make financial or political profit out of the destruction of character can only result in public calamity. Gross and reckless assaults on character, whether on the stump or in newspaper, magazine, or book, create a morbid and vicious public sentiment, and at the same time act as a profound deterrent to able men of normal sensitiveness and tend to prevent them from entering the public service at any price.
The distinction between private and public undermines the unity of spiritual strength, draining the public of the transcendent energies while trivializing them because the merely private life provides no proper stage for their action.
Life is extraordinarily suave and sweet with certain natural, witty, affectionate people who have unusual distinction and are capable of every vice, but who make a display of none in public and about whom no one can affirm they have a single one. There is something supple and secret about them. Besides, their perversity gives spice to their most innocent occupations, such as taking a walk in the garden at night.
Growing up in the public eye was really tough. When you're 14 and your body is changing, your life is changing, and people are watching every step you make, it's really hard to deal with. But I was pretty lucky, people didn't watch me that closely.
This is a corny actor thing to say, but the first step is that you can't judge the character that you're playing. If it's built in three-dimensional fashion, you'll just play a character who's going out and seeking the best version of their life that they can find. That gives the character an accessibility that everyone can identify with.
If I ever took a business public, I wouldn't want to take the shares off the table. I don't want people thinking I'm doing it just to make money and then going to run for the hills. I think that's a very important distinction.
People always make this totally artificial distinction between what is commercial and what is good. They quote that maxim "Nobody ever lost money underestimating the public's taste" and I think that's very wrongheaded. I like to believe the audience is actually intelligent, because it's made up of other people like yourself.
I am almost neurotically private myself. Because I think it's an important distinction to make between privacy and public sphere.
Nominee. A modest gentleman shrinking from the distinction of private life and diligently seeking the honorable obscurity of public office.
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