A Quote by Diana Ross
I just think Josephine Baker life story needs to be done. I think she was an extraordinary woman. To see someone who was basically a showgirl have the kind of lifestyle she had was extraordinary. I really think she made her own lifestyle.
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The extraordinary woman depends on the ordinary woman. It is only when we know what were the conditions of the average woman's life - the number of children, whether she had money of her own, if she had a room to herself, whether she had help bringing up her family, if she had servants, whether part of the housework was her task - it is only when we can measure the way of life and experience made possible to the ordinary woman that we can account for the success or failure of the extraordinary woman as a writer.
A woman needs someone she can trust, someone who laughs when she laughs, but who has different ideas so she can learn from and teach to them. She needs someone who will stand up with her and encourage her to be a woman-not just a female. See where you are, admit what you know, and what you need, and search for a sister friend.
I think that the lady who is waiting on me at the local diner, who has kids in school and the mouths to feed, I think she probably has as nice a life as I have. And she only wants to improve her life, her lifestyle.
Sarah Brown is a sweetie to work with. She's a good actress. She's gutsy and she comes in and she knows her lines. She's just terrific. Sometimes I forget how young she is, because she truly walked right in and took the territory and was able to hold her own with people who've been here for so many years. To be able to pull that off [for someone who had never been on a show], I really give the woman a lot of credit. She's done great.
I had never really heard of Meryl Streep before. Someone told me she was an actress and she'd been in a few things, but I said, you know, whatever. She showed up and she seemed somewhat inexperienced, so I gave her a few pointers, and I think she has a decent career ahead of her. It's always hard to tell these things in Hollywood, but I do think that she has some talent under there. I think she's a diamond in the rough.
Josephine Baker is such an iconic woman that once you've touched her and she has touched you, it never goes away. I'm stuck with her. I'm sure 50 years from now, when they write my obituary, they will mention that I played Josephine Baker. It'll be on my epitaph.
It is a huge amount of pressure playing someone like Valerie Plame-Wilson. First of all who she is and what she's done is wildly intimidating and impressive. It is just scary to take on that responsibility, and you want to honor her story, an incredible story that affected us all. She is often doing things that were confusing to me, like her sexual prowess. I think that she is in a lot of pain and she has been really badly wounded along the way. She doesn't hold men in the highest regard... not just men but people.
A Western woman is not her brother's or her father's property. She's just herself. She can choose her own lifestyle. But in a Muslim family, the honor of the man is between the legs of a woman.
I think Beyonce is every woman. She's superwoman, she's an extraordinary business woman, she's a force of fashion. She totally understands the way to communicate to millions and millions of fans.
My mother started out by being a very good girl. She did everything that was expected of her, and it cost her dearly. Late in her life, she was furious that she had not followed her own heart; she thought that it had ruined her life, and I think she was right.
People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.
I like Madonna a lot. I think she's really good and I think she's a good singer. I think she looks good and she's got a nice kind of... I don't think she's got a sinister or cynical vibe around her, and I don't think she's got any sort of bullshit around her.
[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.
My mom is a huge woman of worth for me because she's been my idol my whole life. My mom was someone who juggled everything. She had her own career, she raised five kids, she was Superwoman... and she was never satisfied doing just one thing because... she probably just had too much energy.
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
My mom is a painter and an artist. She would play music, and she always had very good taste in music, fashion, and art. She was also a young single mom, so I think she had really good style; she was really free... just really inspiring in her own way and allowed me to find the direction I wanted to take in my life.
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