A Quote by Diana Ross

I want to live in Paris for a couple of years. I'm dying to do the Josephine Baker story. I really want to be there and do it. It's certainly my intention to do it. — © Diana Ross
I want to live in Paris for a couple of years. I'm dying to do the Josephine Baker story. I really want to be there and do it. It's certainly my intention to do it.
Josephine Baker is such an iconic woman that once you've touched her and she has touched you, it never goes away. I'm stuck with her. I'm sure 50 years from now, when they write my obituary, they will mention that I played Josephine Baker. It'll be on my epitaph.
It was so strange. I knew that Josephine Baker had performed on the same stage but that night I felt it. Many of the same people who worked with Josephine Baker are still here. They know what they're doing. And that was a very comfortable feeling.
Designing the prints was very much like writing a story with characters, [inspired by] some of my my favorite icons of the time: Eva Perón and Josephine Baker.
I just think Josephine Baker life story needs to be done. I think she was an extraordinary woman. To see someone who was basically a showgirl have the kind of lifestyle she had was extraordinary. I really think she made her own lifestyle.
One day, I'd like to tackle a biopic. I grew up very influenced by Josephine Baker, Billie Holiday, and Nina Simone.
You want to live-but do you know how to live? You are scared of dying-and, tell me, is the kind of life you lead really any different from being dead?
I went to university for a year, and I'm not one for schooling and have no enjoyment sitting in a classroom all day and ended up going to live in England for two years, just to travel. I worked in a bar in a hotel for a couple of years and had no intention of becoming an actor. That's where I met my agent.
I want to be adopted by the French. I want to go to live in Paris.
If I have a day off, I want to get on a plane and go to Paris! If I have a couple hours off work, I want to run to the market and make a four-course meal. I like to do things that are unexpected.
If you want to live in Tennessee, God bless you, I wish for you a long life and starry evenings. But that is not where I want to live my life. I want to live my life in Carthage, in Athens. I want to live my life in Rome. I want to live my life in the center of the world. I want to live my life in Los Angeles.
I lived in New York for five years; I've lived in Barcelona, Rome, and Paris at different times. When I was 18, I was dying to live in a city.
We have a long way to go to being the perfect couple, we certainly don’t live the fairy tale marriage, he doesn’t shower me with rose petals and fly me to Paris on weekends but when I get my hair cut, he notices. When I dress up to go out at night, he compliments me. When I cry, he wipes my tears. When I feel lonely, he makes me feel loved. And who needs Paris, when you can get a hug?
I was with Miles Davisfor a couple of years as his bass player, and it was a beautiful experience. After two years I said to him, "Listen, man, I want to leave your band." He goes, "Why?" I said, "Because I want to develop not just as a bass player, but I want to get more into composition, into producing, and I'm working with Aretha Franklin and Luther Vandross and all these guys, and I want to really see how much I can grow and develop." He actually gave me his blessing.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
I don't want to achieve immortality through my work; I want to achieve immortality through not dying. I don't want to live on in the hearts of my countrymen; I want to live on in my apartment.
Don't try to buy art as an investment. Buy something you really love because you're going to have to look at it again tomorrow. And an investment can go up or down. Buy something you really adore, you really like, and you want to live with. And if you decide some years later you don't want to live with it anymore, sell it. Get out.
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