A Quote by Diana Ross
So every time I make a new circuit, a new time around, then I change the show. You can't change the songs; people still want to hear "Lady Sings the Blues" and they still want to hear some of the oldies.
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There are certain songs that are sacred. People want to hear them just as they are in their head; they don't want you messing around with them. And then there are some other songs, if they've been around a long time in our set list, that I think we can take some creative liberties with.
Playing two months or more in one city meant new songs all the time. If people paid their dimes to see and hear Sophie Tucker, they didn't want to hear the same songs over and over or see the same clothes.
I remember when I was doing my first Christmas album, I thought, 'Wouldn't it be nice to find new Christmas songs?' Then I went, 'Are you crazy?' When I decorate my tree I don't want new Christmas songs, I want to hear all the familiar songs!
We never do the same set twice... We play for at least two and a half hours, sometimes longer, so there's a lot of songs from all the records. And we know there's a stable we as fans would want to hear, so we always give them, then we change up a bunch of songs and throw in a couple new ones.
I've wanted you from the moment I first saw you in the museum. Before that. I wanted every part of you from the first time I felt you, your presence. I want you in the sky, and against the earth. I want to kiss you again, I want to touch you, I want to feel you in my arms and I want to hear you gasping my name when I'm inside you. I want all that, and I want it badly. Every time I look at you, I want it. So you're going to have to become used to that, Rue. It won't change." (Christoff to Rue)
Noam Chomsky is, in some ways, a victim of this new millennium we live in because you can't pull a sound bite from that guy and understand what he is talking about. You have to hear the whole paragraph. You have to hear the whole page. You've got to hear the whole conversation if you really want to understand it and that could change your life.
I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.
It's so much in me to want to keep experimenting all the time. It's just inherent. Therefore I keep reaching for instruments I don't particularly know how to play, and then I become excited. That gives me energy to want to make new things, and it forces me to hear things in new ways, which then can only help to say things in a new way.
I think we need to be sexy and kind of mysterious and still pretty and beautiful. I like to hear that when a man sings. I don't really want to hear about taking my clothes off.
If it's a whole show of my own, I'll do more of what I think Del Shannon is. But for shows like Disneyland, I'll just do mainly hits. That's what they want to hear. I don't want to bore people. If I wanted that much to play nothing but 12 new songs, then I should go do it in a bar somewhere for peanuts.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
My English, I'm still learning. I'm still learning how to use my words. People want to hear what I have to say in the correct way, so I think every time it's going to be a little bit better.
I like revisiting my early work, and people like to hear it. I don't make people suffer through any experimentation or new material. When I go see an artist, I want to hear the songs that drew me to them, so I do the same.
Well, you know, when you're putting together a show, you've got to be careful not to load it up with the new stuff. We have to play the songs that people want to hear, too. People may come thinking, "Oh, I've just got to hear this song." Or maybe they'll write me a letter saying a certain song is really meaningful to them, so we'll be sure to play those songs.
I have to care and I have to be honest and have the courage to be vulnerable. If that happens, then that's the best I can do. To just be a puppet for the audience is not very courageous. Just to do whatever they say they want - because a lot of times people will hear something new that they hadn't heard before and get turned on by a new experience and will want to hear more of that.
How he could be a good user of LSD," I asked, "And know about the spiritual dimension - all that sort of thing - and still be a crook? I don't understand." "Then it's time you did. Psychedelic drugs don't change you - they don't change you character - unless you want to be changed. They enable change; they can't impose it.
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