A Quote by Diana Ross

When we first began, we didn't have any hits. — © Diana Ross
When we first began, we didn't have any hits.

Quote Topics

You go to any Jay-Z concert, and he plays his hits. Comedians don't have hits. You have to have a whole brand-new hour. You have no hits to rely on. It's the hardest thing.
On any play where there's a scramble of 22 men, blindside hits and unprotected hits on knees occur.
I'm not a one-hit wonder as some suggest. I've had a couple of hits, but still, all of my hits were in the '70s. There was pretty much nothing in the '80s, '90s, or in the first full decade into the next millennium.
I am more scared now that I was at any point since I began trading, because I recognize how ephemeral success can be in this business. I know that to be successful, I have to be frightened. My biggest hits have always come after I have had a great period and I started to think that I knew something.
My first break was in my home country with some pop songs that became hits, writing for French singers Christophe & Francoise Hardy, which became hits.
In 1847, two years before the greedy rush for gold began in California, the Mormons quietly began irrigating Utah's Salt Lake Valley. In a sense, they were the first American irrigators of any significance. And their knowledge about the art of applying water to land has spread throughout the world.
Everybody can't come to New York and take the hits, take the hits of the city, take the hits of the media, take the hits of the fans. It's real.
I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
That morning was when I first began to reappraise the 'white man.' It was when I first began to perceive that 'white man,' as commonly used, means complexion only secondarily; primarily it described attitudes and actions.
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
I now first began to inhabit my house, I may say, when I began to use it for warmth as well as shelter.
I think that I identify with Philadelphia for a lot of reasons. Without even thinking about it, I called myself 'Philly's Constant Hitmaker' when I first got a MySpace, before I had any real hits. It was kind of just a funny slogan, basically lifted from the Rolling Stones' first album, 'England's Newest Hit Makers.'
Publishers are very risk-averse, so they lean towards licenses and sequels. But the fact is that even those are not guaranteed hits. So, if 'playing it safe' does not guarantee hits, they might as well leave it up to the really creative, risk-taking people, because they couldn't do any worse.
By the time my first album was out, I had been out in Jamaica three or four years, but I had hits out at that time that were bona fide hits.
So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.
It doesn't get any more underground, conscious or indie than Macklemore, Ryan Lewis, but because they got a couple of really big pop hits, actually some of the biggest pop hits that hip-hop has ever seen, people are missing that part of their story. People are not counting that blessing.
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