A Quote by Diana Silvers
The boy I was crazy about was super into photography, so I weaseled my way into AP Photo to impress him and spend more time with him. He never liked me back, but I ended up spending most my senior year in the darkroom - it became a sort of safe haven for me.
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I read like a crazy person, I play the piano, and I'm a photographer. I always say my photography keeps me sane. I spend a lot of time in the darkroom. It's a very solitary, quiet life when I'm not working.
I was so in love with this boy in eighth grade. I really thought he was the one for me, and then he broke up with me because he said that I liked him more than he liked me, and I was living in N.Y. at the time, and I was on the subway just, like, truly heartbroken because when you're that age, you don't think you are ever going to recover.
We get crazy when we can't make things be like the world tells us they are". She looked back out the window. "It was that way for me and your brother, I think. I mean, how could I have loved him that last year? I didn't even know who he was. He was way more attracted to drugs and bikers and that whole lifestyle than he was to me. But somebody told me that if you really loved somebody,you stayed with him no matter what. You had to fight for him." She laughe. "Hell, I was convinced.
Phil's a lovely, lovely boy. He's 33, but I still call him my 'boy'. He was young when 'Family Fortunes' started, and there's a lovely photo of him holding up a clapperboard for me on set.
I got called to write for Aerosmith, nothing ever came of it, but I ended up spending the day with Steven Tyler and going to his house and we sat down at the piano, just me and him, and he sang for me and played, then he asked me to sing for him, and then we sang harmony together. That was just a big moment where it was like 'oh my god, my life is crazy!' It was really cool.
And James L. Brooks then sort of became our mentor, brought us out to Los Angeles and worked on the script for a year with us. We learned so much working with him - just being able to spend time with him, the quality of his mind, the things he comes up with and says. I think Wes [Anderson] and I could go to dinner tonight and spend the whole dinner thinking and talking about things that Jim has said to us over the years.
The thought sometimes - the unpleasant thought sometimes creeps up on me here as to whether perhaps Khrushchev was not invited here to enable you to sort of rub him in your sauce and to show the might and the strength of the United States so as to make him sort of... so as to make him shaky at the knees. If that is so, then if I came - if it took me about 12 hours to get here, I guess it'll just - it'll take no more than about 10½ hours to fly back.
Not long after I started posting the first 'Nimona' pages online, a literary agent reached out to me, and I ended up signing with him before I returned to school for my senior year.
I have a small Thai boy who dresses me and every year I let him pick what campaign I am going to work on. It saves me having to worry about it and, bless him, it makes him feel involved in the struggle for global liberation.
Frankie is my baby. He is the sweetest dog in the world. Frankie is like the son I never had. He keeps me healthy; I walk and run him. I always feel that I need to spend more time with him and give him more attention. I find myself unloading my emotions on him.
I missed my father so much when he died that writing about his life and mine was a way of bringing him back to life and getting me to sort of understand more about him and what made him the father, the husband and the man that he was, and how that made me the man, husband and father that I am.
I've had a tough time with Pynchon. I liked him very much when I first read him. I liked him less with each book. He got denser and more complex in a way that didn't really pay off.
He never hurries. He never shows his cards. He always hangs up first....Like when we first started talking on the phone, he would always be the one who got off first. When we kissed, he always pulled away first. He always kept me just on the edge of crazy. Feeling like I wanted him too much, which just made me want him more....[It was] excruciating and wonderful. It feels good to want something that bad. I thought about him the way you think about dinner when you haven't eaten for a day and a half. Like you'd sell your soul for it.
Darth Maul dies and it's okay. And maybe he'll be picked up later and another actor will play him and that's okay. However if they call me up and they need him for this or that and they want me to play him, then that's okay too. I do actually love this character. I feel strongly about him. I feel badly for him and if there's anything more I can contribute to him or the larger Star Wars mythology I will continue to do so and if my time has come then I will watch as a fan the way I have since I was born.
What I liked about working with Palmbomen and him being a super crate digger and super well known with all this exotic and unfamiliar music to me.
I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.
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