A Quote by Diana Silvers
Photography is very personal to me. God knows how many rolls of film I have that I've never shared.
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I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
My biggest challenge was moving from photography to film without losing my way of working - which is very intimate and learning to collaborate with more people, since photography for me is a very solitary process.
Regardless of how many belts I collect, how many belts I win, God always has a way of humbling his servants. Sometimes, we can get out of control. Even us as children of God, we can get out of place and have a big head, so to speak. God always knows how to humble his servants and that's something that I always ask God to do, just to keep me humble. I could do nothing without the help of God. It is God that is within me who is allowing me and giving me the strength and the ability to do what I do. Without Him, I can't do anything.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
I think I'm an actor. You can hire me. I can do a good job. But you also have to get lucky now and then. Every film-maker knows how hard it is to do a good film. You have to just make many, and see how lucky you get.
Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.
The concept of God can be very interfering for some and very opening for others. There are many people who say it's not God, or a personal God, but it's an energy, it's a force, it's a unifying conceptualization of the universe. For some people it can be a very positive, and a beneficial way of looking at things. But then for others it can get in the way. It depends to a large extent on how one defines what God is especially if it becomes exclusive and a hate filling definition.
Who I am on stage is very, very different to who I am in real life. But I don't see that having a sexy image when you are on stage means that you don't love God. No one knows what I'm really like from that. I like to walk around with bare feet and I don't like to comb my hair. I'm always so glammed up and so diva on stage and that's what they see. People don't understand that... No one knows my personal relationship with God and it's not up to me to prove that to anyone.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
We run after values that, at death, become zero. At the end of your life, nobody asks you how many degrees you have, or how many mansions you built, or how many Rolls Royces you could afford. That's what dying patients teach you.
I'm quite into fitness, and I have a fantastic personal trainer who knows me, knows my body, knows when to push me, and knows when not to push me. She doesn't make me do 20 burpees in a row and instead focuses on strengthening my core, telling me we need to focus on making me into 'a tall giraffe'!
'The Missing Picture' is about my story and my parents. Before this film, I never said 'I' in a film, so it is very personal.
Anybody with skin issues knows that that's a very sensitive subject, and that's why I've never shared that I have vitiligo because I do.
It takes faith to find personal significance in your relationship with God rather than how much money you earn, how beautiful you look, how many toys you own, how many trophies you collect, or how much territory you conquer and control.
I watch many, many, many independent films every year that you see once in a film festival and they're never heard of ever again. Many of them are very, very good.
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