A Quote by Diana Silvers

'Rear Window' isn't really a horror film, but it is a psychological drama, which I love. It is very tense. — © Diana Silvers
'Rear Window' isn't really a horror film, but it is a psychological drama, which I love. It is very tense.
'Hereditary' is unabashedly a horror film, whereas 'It Comes at Night' was a lot of things: it was a thriller; it was a postapocalyptic drama. It was a slow-building, very dark movie about relationships. 'Hereditary' is also about relationships, and I hope it functions as a vivid family drama, but it is also very much a horror film.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.
In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.
'Hereditary' is unabashedly a horror film. In a lot of ways, it's in dialogue with other horror films. But I do know that it was important for me that the film functioned first as a family drama. I know that I'm never affected by anything if I'm not invested in the people to whom the genre things are happening.
I do like sci-fi, and I do like horror - those are my favorite genres. Good horror, though, not like slasher horror... psychological horror like 'The Shining' - really good stuff!
When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.
I'd love to continue my career in Hollywood - I'd love to do another action film, or a romantic comedy, or horror. I love horror films.
When you're playing the devil, you're playing the ultimate evil. There are no boundaries. In doing a film in the horror genre or a psychological thriller, you're really pushed as an actress, you're pushed way outside of your comfort zone. Emotionally, mentally, and physically. That's when things really get fun.
Horror is a totally different animal. It's intense. You can do drama or comedies, but in horror, you really have to trick yourself into believing a lot of unbelievable phenomena.
I like 'Brawl in Cell Block 99.' I think Vince Vaughn is incredible and I've never seen Don Johnson like that. It is very realistic. Some people say it is a horror film. It is not a horror film at all. It is very realistic.
Kevin' is a psychological horror film. It uses genre elements, so hopefully it's exciting to watch.
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