A Quote by Diana Vreeland
I'm terrible on facts. But I always have an idea. If you have an idea, you're well ahead
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All of everything we've ever done has been riding on low expectations. 'Cloudy With a Chance of Meatballs,' a terrible idea. Doing '21 Jump Street' as a movie is a terrible idea. 'The Lego Movie' sounds like a terrible idea.
It was a very bad idea. It was a terrible idea. It was the worst idea he had ever heard. It was irresistible.
I had this idea about terrible things happening to orphans, and I knew it was such a horrible idea that the idea of writing it down and then submitting it professionally was obviously absurd.
If I were to give a prize for the single best idea anybody ever had, I'd give it to Darwin for the idea of natural selection - ahead of Newton, ahead of Einstein - because his idea unites the two most disparate features of our universe: the world of purposeless, meaningless matter and motion, particles jostling on the one side, and the world of meaning and purpose, design on the other.
I somehow always have this idea that as soon as I can get through this work that's piled up ahead of me, I'll really write a beautiful thing. But I never do. I always have the idea that someday, somehow, I'll be living a beautiful life.
I'm not afraid of facts, I welcome facts but a congeries of facts is not equivalent to an idea. This is the essential fallacy of the so-called "scientific" mind. People who mistake facts for ideas are incomplete thinkers; they are gossips.
She looks at herself in the mirror. The idea is to look sexy again. And for whom exactly? Yourself, of course. Yes, well, that's all wonderfully self-affirming and very strong-minded as any decent woman should be these days, but let's just face facts here and say that when a woman - no, when a person is thinking about feeling sexy, it is always with the idea of someone else in mind.
My advice is not to wait to be struck by an idea. If you're a writer, you sit down and damn well decide to have an idea. That's the way to get an idea.
Most of the pilots I choose do not have high-concept ideas, so for me it's not the idea as much as the execution of the idea, and if the idea, like you take a bar in Boston, that's not a high-concept idea. But if it's executed well, it makes a great show.
It is impossible to devise an experiment without a preconceived idea; devising an experiment, we said, is putting a question; we never conceive a question without an idea which invites an answer. I consider it, therefore, an absolute principle that experiments must always be devised in view of a preconceived idea, no matter if the idea be not very clear nor very well defined.
Don't look back. Just go ahead. Give ideas away. Under every idea there's a new idea waiting to be born.
Let me lay my cards on the table. If I were to give an award for the single best idea anyone ever had, I'd give it to Darwin, ahead of even Newton or Einstein and everyone else. In a single stroke, the idea of evolution by natural selection unifies the realm of life, meaning, and purpose with the realm of space and time, cause and effect, mechanism and physical law. It is not just a wonderful idea. It is a dangerous idea.
A manager can have a great idea but if the players don't understand it, or don't follow you, your idea doesn't have much use. On the other side, you can have a bad idea, but if the players are convinced it, and you transmit it well, it can work.
If you have a great idea, you should be able to communicate it as well. It's like the sound of one hand clapping. You have a great idea but aren't able to express it - well, how great was the idea?
I get worked up over an 'idea' or the ethos of an idea. I follow dreams, take notes on travels, and engage in research often - if I need names, details, facts that enhance the project.
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.
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