A Quote by Diana Vreeland
Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
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I don't think anyone has ever been in a better place at a better time than I was when I was editor of Vogue. Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later. Like all great times, the sixties were about personalities.
I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress.
My wedding dress was featured by 'Vogue' and 'American Town and Country,' and from there, people started to come to us because they had seen that dress.
If I am going to be the future bloody Queen of England I'm going to wear that dress once because I'm giving up the rest of my life, all of my privacy. At least I can get a new dress every day!
I went to an all-boys Catholic school, and not only were we not allowed to wear pajamas, we had to wear dress shirts, dress pants, a tie, dress shoes... they stopped making us wear blazers, like, two years before I started there, so pajamas... you wouldn't even get in the front door wearing pajamas at my school.
I think that New York liberated me in the sense that I moved here when I was 18, so it was a fresh perspective on life. I had been living in L.A. my whole life and I had never lived anywhere else, so being away from family and really making a name for myself was huge for me.
I was 26 when I invented the wrap dress. It was just a nothing little printed dress made out an jersey, and before I know it, I lived an American Dream making more than 25,000 dresses a week.
My wife changes the way that I dress. She makes me dress nicer than I want to dress. I feel like I perpetually dress like a 14-year-old boy, and she makes me stand up straight and wear clean clothes.
I never get to wear a suit in my life, much less a tuxedo. It's kind of really fun to get to dress up, because you take yourself a little more seriously if you dress nice in a starched shirt.
Living in a zoo means it wasn't always sparkly dresses, but I would still dress up. I had this pink sparkly dress and fairy wings, and I'd put those on and then go and dance in the zoo.
In Brazil, even inside the same city, people from different parts dress differently. Sao Paulo, for example, is more connected to global trends and urban movements. Rio de Janeiro is more influenced by the beach, and has a sort of Cali vibe with the way people dress. Porto Alegre down in the south has a hard winter, so people have to dress to face the cold days.
As for men, they will hardly fail one anywhere. I had more visitors while I lived in the woods than at any other period of my life; I mean that I had some.
From this outer edge of his life, looking back, there was only one remorse, and that was only that he wished to go on living. Did all dying people feel this way, as if they had never lived? Did life seem that short, indeed, over and done before you took a breath? Did it seem this abrupt and impossible to everyone, or only to himself, here, now, with a few hours left to him for thought and deliberation?
This woman who was a style icon basically lived in a little cotton dress all her life - a simple life.
In art, a dress is never just a dress; nor in life either.
My conjecture is that most people will refuse to let go, even when their lives have become boring (at least in comparisons with possible lives lived by new generations). If this happens, there will eventually be no room for new generations. A kind of collective irrationality will lead to a bleak life for the last generation that decides to stay around. Unless we put and end to the human race (through global warming, for example), before this happens, individual egoism will block the path to a better world.
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