A Quote by Diana Vreeland

The two greatest mannequins of the century were Gertrude Stein and Edith Sitwell - unquestionably. You just couldn't take a bad picture of those two old girls — © Diana Vreeland
The two greatest mannequins of the century were Gertrude Stein and Edith Sitwell - unquestionably. You just couldn't take a bad picture of those two old girls
Gertrude Stein really thought of Hemingway as frail. He almost married Stein.
Edith Sitwell's interest in art was largely confined to portraits of herself.
I am the luckiest old broad on two feet if the truth were known. It's - but it all goes back to 'Mary Tyler Moore,' 'Golden Girls,' all those - actors love to take the credit. We couldn't do it without the writers.
A writer has to take all the risks of putting down what he sees. No one can tell him about that. No one can control that reality. It reminds me of something Pablo Picasso was supposed to have said to Gertrude Stein while he was painting her portrait. Gertrude said, “I don’t look like that.” And Picasso replied, “You will.” And he was right.
We had a cop or two that were questionable, and probably they shouldn't have been on the job, but they were. You have that: a police department reflects the community that it serves, and it's going to have a bad apple or two, but when those bad apples are discovered, they need to be discarded as quickly as possible so the whole bureau doesn't rot.
Luxury cruises were designed to make something unbearable (a two week transatlantic crossing) seem bearable. There's no need to do it now, there are planes. You wouldn't take a vacation where you ride on a stage coach for two months but there's all-you-can-eat shrimp. You wouldn't take a vacation where you had an old-timey appendectomy without anesthesia while steel drums play. You might take a vacation while riding on a camel for two days IF they gave you those little animal towels wearing your sunglasses.
The Edith Head Trio, I would say, would be even less of a musical career than playing the accordion, particularly because I played the accordion in The Edith Head Trio. I'm very impressed by your Googling. The Edith Head Trio and another band, Tzamboni, were two bands I was in after college that played at tiny clubs to little acclaim. Our Gypsy tango version of "When Doves Cry" was our biggest hit.But we were not destined for greatness.
Is the professor who insists we read Ernest Hemingway again instead of Gertrude Stein "obsessing"? Because although I did a BA in English, an MFA in Poetry, and a year's worth of a PhD, Stein was an author I had to discover on my own. She wasn't on the syllabus anywhere in all that time.
Terror is now the world narrative, unquestionably. When those two buildings were struck, and when they collapsed, it was, in effect, an extraordinary blow to consciousness, and it changed everything.
I don't want to get too involved in marketing budgets, online promotions and download set-ups because it would be a bit like Gertrude Stein mapping out a TV campaign. I want to sing. I want visibility. I am essentially Al Martino, not Seymour Stein.
Queerness isn't just Lady Gaga and overpriced drinks and fauxhawks. It's James Baldwin and Bea Arthur and Gertrude Stein and Gore Vidal.
In a notable family called Stein There were Gertrude, and Ep, and then Ein. Gert's writing was hazy, Ep's statues were crazy, And nobody understood Ein.
The Shield was only around for what? Two years? And we did a lot in two years. I think the fact that people even take those two years and put them up against the reputations of those other groups really says a lot about what we were able to accomplish in that short period of time.
I'll always be Alice Toklas if you'll be Gertrude Stein.
You are all a lost generation. [with credit to Gertrude Stein]
The four movies I can remember seeing as a kid were 'The Elephant Man,' 'The Magnificent Seven,' 'The Good, The Bad and The Ugly' and 'Mad Max!' Two of those are westerns. So the western genre is emblazoned on my memory from childhood, and those are two great movies.
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