A Quote by Diana Vreeland
Exaggeration is my only reality.
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Drama lies in extreme exaggeration of the feelings, an exaggeration that dislocates flat everyday reality.
Exaggeration! was ever any virtue attributed to a man without exaggeration? was ever any vice, without infinite exaggeration? Do we not exaggerate ourselves to ourselves, or do we recognize ourselves for the actual men we are? Are we not all great men? Yet what are we actually, to speak of? We live by exaggeration.
satire is a wrapping of exaggeration around a core of reality.
One could say, with a little exaggeration, that the persona is that which in reality one is not, but which oneself as well as others think one is.
... what is faked [by the computerization of image-making], of course, is not reality, but photographic reality, reality as seen by the camera lens. In other words, what computer graphics have (almost) achieved is not realism, but rather only photorealism - the ability to fake not our perceptual and bodily experience of reality but only its photographic image.
I always loved watching old movies and I loved Marilyn Monroe and all those blondes; that hyper feminine 1950s glamour and the exaggeration of it. Then Jessica Rabbit came along and it was an exaggeration of that look and so I wanted to be even more exaggerated than that.
Every vice is only an exaggeration of a necessary and virtuous function.
Genius is an exaggeration of dimension. So is elephantiasis. Both may be only a disease.
We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.
For me and my drag, I think camp is about exaggeration and artifice and the celebration of superficiality. A lot of my fans look up to me as a figure of femininity but that's all artifice. That's all fake and that's campy within itself, and so that's what resonates to me: the seriousness and the funniness and the artifice and the exaggeration.
My images were surreal simply in the sense that my vision brought out the fantastic dimension of reality. My only aim was to express reality, for there is nothing more surreal than reality itself. If reality fails to fill us with wonder, it is because we have fallen into the habit of seeing it as ordinary.
It's only a slight exaggeration to say we haven't progressed much beyond the invention of agriculture when it comes to our view of the natural world.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
That we do not discover reality but rather invent it is quite shocking for many people. And the shocking part about it - according to the concept of radical constructivism - is that the only thing we can ever know about the real reality (if it even exists) is what it is not. It is only with the collapse of our constructions of reality that we first discover that the world is not the way we imagine.
It has been said that I have three heroes: Christ, Marx and Freud. This is reducing everything to formulae. In truth, my only hero is Reality. If I have chosen to be a filmmaker as well as a writer it is because, rather than expressing reality through those symbols that are words, I have preferred the cinema as a means of expression - to express reality through reality.
Whatever comes and goes, is not reality. See the event as event only. Then you are vulnerable to reality, no longer armoured against it, as you were when you gave reality to events and experiences.
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