A Quote by Diana Wynne Jones
Can't you just keep your big mouth shut?" Brian said furiously to Nan. He pointed to Chrestomanci. "How do we know he's safe? For all we know, he could be the devil that you summoned up!" "Oh, you flatter me, Brian," Chrestomanci said.
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When George Bush Senior [George HW Bush] was getting his alliance together to go into Iraq - to kick the Iraqis out of Kuwait - he rang me up. I was very close to George Bush Senior; I got to know him well as Vice President to Ronald Reagan. And George rang me up and said, "Oh, Bob," he said, "I'm having trouble with Brian [Mulroney]." He said, "He's got a big wheat trade with Iraq, and he doesn't want to upset that." I said, "You leave it with me."
I was with Brian De Palma at the time, and he said he wrote the role specifically for me. I don't know what that says about the way he saw me, since the role was of a castrating killer. Brian came one morning to the house, said "Here's your Christmas present." He wrote the character to have a Swedish accent, but since I couldn't pull that off, he switched it to French-Canadian. It was such a romantic time in my life. Everyone was young and passionate and convinced they were going to change film forever.
They said, 'If we put you in first class with Brian, will you do it?' So I flew after not having flown in eight years. If there's one person who doesn't like flying as much as me, it's Brian.
I said 'Brian, no one is going to respect me as a mother after this.' He said, 'oh no, yes they will, this is a movie, don't worry about it.' But they're not.
Brings [O'Brian's] achievement to a new height....Such is O'Brian's power to possess the imagination that I found I was living in his world as much as my own, wanting to know what happens next. That is the real test. Any contemporary novelist should recognize in Patrick O'Brian a Master of the Art.
Then watch out. I warn you!" "That is very considerate of you," said Chrestomanci. "I like to be warned.
I learned that when something just has to be said to move the discussion along, or broaden it or deepen it, if I can just keep my mouth shut for five minutes a student will say it. So for me a lot of teaching is about keeping my mouth shut.
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
I think I sent one [book] to Brian Eno. I don't know how I got to know his address, but I sent one to him. He called me up and he said, "I really like the book, and I'm starting a new label, would you liked to do something?" It was a tricky situation for me, because I've always had this thing in my life of a tension between collaboration, which was extremely important to me, and then being alone. Make of that what you will!
I rang Brian [Mulroney] up. I said, "What's this bloody nonsense. You've got a wheat trade with Iraq and you won't come aboard?" I said, "We've got a bloody big wheat trade too, so get your priorities right." And he said, "Okay, Bob. I'll come." I rang George and he was very appreciative.
The thing I wonder about is where does Brian's creative spark come from? Not his subjects or anything, but his spark. What makes it so great for me is that I really don't know. There's a mystery behind Brian, even to me.
I'm Brian a lot more than I'm Paul Walker, which is awesome. When I hear, 'Hey Paul Walker!' my hair stands up on the back of my neck. It's uncomfortable. But when I hear, 'It's Brian!' it's cool. I like Brian.
My mother was superb. Even when I said to her, when I was nineteen, oh, I'm going to India. Her immediate reaction was, oh yes dear, and when are you leaving? She didn't say, oh how could you leave me, your mother? Or wait a bit dear until you get a bit older and you know your own mind. She just said, well, when are you going? And that was because she loved me, not because she didn't love me.
I think that nonexistent mythological creature just broke some of your toes," Jack said. Oh, shut up," said Charles
Molly wants to know her father's name," Arch said to them. "Why don't you give her a hint?" His first name with 'splatter,'" said Ripkins. And 'matter'," said Blister. Also 'fatter,'" said Ripkins. Likewise 'chatter'," added Blister. And his surname?" Arch asked. It rhymes with 'that again'," said Ripkins. And 'Flanagan," put in Blister. Also, um...'pad a fin'?" offered Ripkins. Arch and Blister looked at him. 'Pannikin!'" he said proudly. Shut up, shut up, shut up!" Molly screamed. "You don't know what you're talking about!
You may remember the story of how the devil and a friend of his were walking down the street, when they saw ahead of them a man stoop down and pick up something from the ground, look at it, and put it away in his pocket. The friend said to the devil, "What did that man pick up?" "He picked up a piece of the truth," said the devil. "That is a very bad business for you, then," said his friend. "Oh, not at all," the devil replied, "I am going to help him organize it."
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