A Quote by Diana Wynne Jones
Imagination doesn’t just mean making things up. It means thinking things through, solving them, or hoping to do so, and being just distant enough to be able to laugh at things that are normally painful. Head teachers would call this escapism, but they would be entirely wrong. I would call fantasy the most serious, and the most useful, branch of writing there is. And this is why I don’t, and never would, write Real Books.
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Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
Think of being curled up and floating in a darkness. Even if you could think, even if you had an imagination, would you ever imagine its opposite, this miraculous world the Asian Taoists call the "Ten Thousand Things"? And if the darkness just got darker? And then you were dead? What would you care? How would you eve know the difference?
If readers like The Thorn and the Blossom, which I would call literary fantasy, I think they would like books such as Elizabeth Hand's Mortal Love, Catherynne Valente's The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, and Kelly Link's Stranger Things Happen.
Political consequences have never really come into my thinking. I didn't think about it when we made 'Maurice' or when I said first I would co-direct and then write the screenplay of 'Call Me'. I was just making something I thought I would enjoy creating.
The problem, of course, was that people did not seem to understand the difference between right and wrong. They needed to be reminded about this, because if you left it to them to work out for themselves, they would never bother. They would just find out what was best for them, and then they would call that the right thing. That's how most people thought.
If we knew that we would meet the Lord tomorrow - through our premature death or through His unexpected coming - what would we do today? What confessions would we make? What practices would we discontinue? What accounts would we settle? What forgivenesses would we extend? What testimonies would we bear? If we would do those things then, why not now?
If we were going to default, we would have decided that many months ago. It would be wrong for the Greek economy, it would be wrong for the European economy, it would make things worse in the end. That's why we're taking the pain and making these structural reforms, and we're on target.
I chose the name "Padded Room," because, when I'm in the booth, it would be the padded room. When I'm in the booth, I can say a lot of things and speak about a lot of things that normally I wouldn't be able to speak about to a friend or to family or to a crowd. A lot of times, the things that I say, if you had to categorize it, they would probably call me nuts or crazy. So, you add that aspect of "The Padded Room," which would be almost like an insane asylum.
I know most of my records are real good but I know that there are definitely things I would've changed at the end of the day. I work on things forever, and there are things I wish I didn't do, but ultimately I know the records are good. I kind of let go of big expectations, maybe because hopefully that means if I don't have them, that it'll do really well, but you just never know.
When things are taking their ordinary course, it is hard to remember what matters. There are so many things you would never think to tell anyone. And I believe they may be the things that mean most to you, and that even your own child would have to know in order to know you well at all.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
Once you realize you can make people laugh, it's a superpower. When you're really young, you don't know how to use that power, so I would just say the meanest things I could to get a laugh. I was so awful. I would make fun of kids who didn't deserve to get made fun of. I was just mean, when I was really young. You don't realize that you don't have to be mean to be funny. But, it was something that I was just able to grow into.
I'm always writing at night - things I would change, things I would do differently. When I write a note, it sticks in my head differently.
'Fantasy' is one of the fewer tracks where it's more literal than most of our things, but at the same time it's totally open-ended. Clearly it's a song about things not really appearing as you want them to, or things either getting what you want and not being satisfied with it because it wasn't how you hoped it would be, or thinking you want something and not getting it and the realisation of that.
If someone would tease me about my hair, I would laugh... if someone called me black, I would laugh. I just took things in my stride. I was never made a victim.
I mean in the community that I grew up in, you know, a very, you know, mixed, almost entirely African Diaspora community, one of the things that we were not ever supposed to say was how much self-hatred and colorism determined and guided what we would call our desire. In other words, what we would consider beautiful.
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