A Quote by Diane Arbus

The camera is a kind of license. — © Diane Arbus
The camera is a kind of license.
We should be licensing everybody with a gun. I have to have a license for my dog. I have to have a license for my car. If you’re going to do my hair later you have to have a license ... We don’t require a license to own a firearm?
We should be licensing everybody with a gun. I have to have a license for my dog. I have to have a license for my car. If you're going to do my hair later you have to have a license... We don't require a license to own a firearm?
My creative process begins when I get out with the camera and interact with the world. A camera is truly a license to explore. There are no uninteresting things. There are just uninterested people.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
The camera basically is a license to explore.
The simple act of having a camera, not a cell phone, but a camera-camera, there’s a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours.
You have license in front of the camera to do things, feel certain emotions that you don't get to in real life. It can be addicting.
Suddenly this camera, this thing, allowed me to move around the world in a certain kind of way, with a certain kind of purpose. (On receiving a camera for her twenty-first birthday)
When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.
If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.
I've got mixed feelings about poetry cause done well poetry is fantastic. But not many people are capable of doing it well. I think you should have some kind of license to perform poetry. A poetic license perhaps.
In terms of driving, I actually don't have a driver's license, and it's kind of ridiculous. I've lived in Los Angeles for a couple of years and just have somehow managed to avoid taking the test, which I did last week and failed. I couldn't find the honker. I felt bad about it, but it's just a little bit embarrassing, I guess, to be in this film and not have a license.
The camera was kind to me. But I was never a screen personality like Gable or Flynn. The camera did something with their faces that was special.
A lot of people have experimented with hidden cameras and magic before. What I do, which I think is different from any other style of prank or hidden camera, is that it's all fun. It's back to that kind of fun that 'Candid Camera' was. It's not mean-spirited at all. It's a joyful kind of play with people.
So the competition isn't once you got the license, running the station; it's getting the license.
Freedom is not a license to act but a license to exercise free choices in any given situation.
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