A Quote by Diane Arbus

One thing I would never photograph is a dog lying in the mud. — © Diane Arbus
One thing I would never photograph is a dog lying in the mud.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
You can say any fool thing to a dog and the dog will just give you this look that says, 'My GOSH, you're RIGHT! I NEVER would've thought of that!
You could make a poultice out of mud to cool a fever. You could plant seeds in mud and grow a crop to feed your children. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
I do not photograph for ulterior purposes. I photograph for the thing itself - for the photograph - without consideration of how it may be used.
The strangest thing has happened. I really missed my dog. That's never happened to me before. You know, on a long tour you do hear people saying they miss their pets. I never have. But last night I started really missing my dog. It's very odd, 'cause I don't have a dog.
I didn't throw myself off my balcony only because I knew people would photograph me lying dead.
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
The most offensive is not their lying - one can always forgive lying - lying is a delightful thing, for it leads to truth - what is offensive is that they lie and worship their own lying.
I can remember thinking, at the age of 3, that I invented the concept of lying. By a brilliant thought process, I figured that I could fib and avoid the repercussions for something I had done, because lying meant that it never happened. However, by the time I was 5, I came to hate lying and to think of it as the worst thing in the world. That's my earliest memory. Weird, but true!
Never forget that the subject is as important as your feeling; the mud puddle itself is as important as your pleasure in looking at it or splashing through it. Never let the mud puddle get lost in the poetry-because, in many ways, the mud puddle is the poetry.
I was never one of those little girls who played with baby dolls and picked names for her firstborn. I was playing in the mud with my dog, doing backflips, and climbing trees.
I would love to photograph Angelina Jolie. A friend of mine is working with her on her next film and told me what I was already suspecting, that she is extremely interesting. I have never seen a picture of her that conveys all of her complexity. That would be a fabulous challenge, to find that in a photograph.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
If I was lying on my deathbed and I had kept this secret and never ever did anything about it, I would be lying there saying, 'You just blew your entire life.'
My fear of coming out wasn't about rejection. I was scared people would say: 'Why were you lying to me? If you've been lying about that what else are you lying about?' Lying is my biggest regret.
Like all photographers, I depend on serendipity, and when you're photographing children there's often an abundance of it. I would have an idea of what a photograph would look like and then something would happen - a dog might lumber in and become a critical element. I pray for what might be referred to as the angel of chance.
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