A Quote by Diane Chamberlain
Patti Callahan Henry seamlessly combines mystery, family love, and personal journey all in one engrossing tale. From the intriguing beginning to the touching ending, The Stories We Tell is filled with the warmth, heart and compassion that have become the trademark of her novels.
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Patti Callahan Henry’s THE STORIES WE TELL is a lyrical exploration of love and longing, secrets and suspicion, family and friendship, all told with the author’s trademark insights into the hollows and curves of the heart and mind of a working woman who must balance the demands of motherhood, wifedom, sisterhood, and yes, the deepest cravings for artistic expression. I always love the stories PCH tells!
THE STORIES WE TELL fearlessly explores the textures of the human heart, finding a path toward hope through a Savannah that is jagged with class issues, faith misused, and broken trust. Henry loses you in a landscape peopled with secret keepers, storytellers and liars, and proves that in the end, love is the only reliable compass. This is everything you expect from Patti Callahan Henry—lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness—plus a twisty plot that will keep the pages turning long into the night.
The mystery form was very helpful for me as a beginning writer because mystery novels and suspense novels have a beginning, a middle and an end.
We create an image of happiness and success and then we are beholden to it. We tell ourselves stories and sometimes these stories become so strong as to imprison us. Breaking free from our personal fortresses is a long, hard journey, but ultimately what allows one to grow.
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide.
Jennifer Fulwiler's story of finding God when you aren't looking for Him is a universal tale which will touch many hearts. With warmth and unflinching candor she leads us through a personal journey of faith and maturity that is as funny as it is affecting.
All stories have a beginning, a middle and an ending, and if they're any good, the ending is a beginning.
Pure poetry in motion. A swift-moving, heartfelt tale of love and loss, two stories intersecting-an d connecting-by magic. Michelle Baker is a born poet, and a born writer. The Canoe is just the start of what I hope to be a long idyllic journey through the love and soul of the human heart.
In the beginning, compassion is like the seed without which we cannot have any fruit; in the middle, compassion is like water to nourish the see we have planted; in the end, compassion is like the warmth of the sun that brings the fruit to ripening.
Sharona Muir has written a gripping personal memoir about her odyssey to rediscover and reclaim her father. Along the way she uncovers some hard truths about the heroic founders of Israel and the Beginnings of Israeli science. The Book of Telling keeps in all the fears and resentments and consolations and warmth of such a process-at once her own story and the tale of a nation.
Readers tell me that my novels are filled with significant mothers. Do I realize this? Do I do it on purpose? The truth is, I don't. I think of myself as a writer of family stories. I write more often than not from a male point of view, and I usually begin by focusing on siblings, spouses, even fathers, before I think about the mothers.
The most important thing that I know about living is love. Nothing surpasses the benefits received by a human being who makes compassion and love the objective of his or her life. For it is only by compassion and love that anyone fulfills successfully their own life’s journey. Nothing equals love.
Harriet Levin [is] a shining poet in her generation.... The dynamics of her language and her vigorous voice distinguish all her poems. Levin's fearless willingness to tackle any subject combines with her subtle intelligence to produce a rare reading experience, the moving, psychologically sophisticated and intriguing work of a poet with both guts and craft
Someone wrote a piece about Henry Green in The Partisan Review that was so intriguing that I got one of his novels, Loving, I believe, which was the first that came to attention in the United States.
In People magazine, Madonna said her life has been exhausting since she started her world tour. She said there isn't a second of her life that isn't taken up looking after her family or thinking of her show - her day is filled with problems of work and family. Someone should tell her, everyone else calls that, life.
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