A Quote by Diane English

The writing of a series finale is horrible. — © Diane English
The writing of a series finale is horrible.
I had my idea of what the series finale of 'King of the Hill' would be, but that's not what the actual series finale was.
Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
I think that 'The Shield' was a phenomenal series finale.
I feel like if you enjoyed the 119 hours that precede the finale of 'Lost,' is that whole experience ruined by the fact that you might not agree with everything that we did in the finale? I would hope not! I would hope that you would appreciate the fact that you were entertained for 119 hours even if you didn't love the finale.
Brahms stayed an extra day to hear my [Fifth] Symphony and was very kind ... I like his honesty and open-mindedness. Neither he nor the players liked the finale, which I also think rather horrible.
I'm always a fan of the cliffhanger season finale. I recall the first season of 'Twin Peaks' - I'm a huge David Lynch fan - it was almost a takeoff of cliffhangers. They had around 20 of them happen in that finale.
If I know what my finale is when I'm writing a screenplay, then I don't always have to chart out every scene before that. I can adequately find my way. I'm experienced enough to do that.
I don't believe in writer's block, writing well is very easy; it's writing horribly, the horrible work necessary to do to get to writing well, that is so difficult one may just not be willing to do it.
In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.
I've discovered I love the vast landscape a series offers. I tend to write long anyway, so, it turns out, series gives me the perfect vehicle for writing 'large' stories.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
I had to take a big risk by writing my young adult book series 'The A Circuit' and putting myself out there in that way. I don't consider myself a good writer, so I had to rely on a co-writer. Still, I knew that people would judge me and my writing. I am really proud of the way the series turned out.
Predominantly, crimes and horrible, horrible, horrible judgment don't have to do with sociopaths. It has to do with people who are not capable of maintaining or managing their frailties.
It's horrible, horrible, horrible. It took a year and a half until I found out that I had post-natal depression.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
Writing a whole series was a crash course in screenwriting, which is a very different muscle to standup comedy writing.
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