A Quote by Diane Frolov

Life is everywhere. The earth is throbbing with it - it's like music. The plants, the creatures, the ones we see, the ones we don't see, it's like one, big, pulsating symphony.
Every soul on earth is equally precious, even those of plants and animals. If you see love in one area and not another, then you are not reflecting true love for all creatures on earth, only a deficiency in your senses. The light of love sees no walls.
At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.
Billy Pilgrim says that the Universe does not look like a lot of bright little dots to the creatures from Tralfamadore. The creatures can see where each star has been and where it is going, so that the heavens are filled with rarefied, luminous spaghetti. And Tralfamadorians don't see human beings as two-legged creatures, either. They see them as great millepedes - "with babies' legs at one end and old people's legs at the other," says Billy Pilgrim.
The view of earth is spectacular from space. Most people imagine that when astronauts look out the window of the shuttle they see the whole earth like that big blue marble that was made famous by the flights that went to the moon. But the shuttle is much, much closer than those astronauts were. So we don't see the whole planet, the whole ball at once, we just see parts of it.
Do you ever wonder what the Amazons would have looked like in real life? I think in MMA, like, you see it - that warrior spirit. You see that determination. You see that heart. You see that bravery.
All cats can see futures, and see echoes of the past. We can watch the passage of creatures from the infinity of now, from all the worlds like ours, only fractionally different. And we follow them with our eyes, ghost things, and the humans see nothing.
First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.
Some people have dogs... I like leaves. I like plants, and I like flowers too. Ecstasy is big in my life.
Plants can't very well defend themselves by their behavior, so they resort to chemical warfare, and plants are saturated with toxins and irritants to deter creatures like us who want to eat them.
Whether that expansion is towards the beings around you or flora, fauna, and creatures. Love has so many unique yet consistent forms. People like Branson - he's an idea guru. Guys like Allan Savory - he's like Father Earth. Allan has literally discovered how to stop desertification and make Africa come alive with plant life. In each of its forms, love has an infinite scope of potential expansion, all of which I see leading to growth.
As readers, we remain in the nursery stage so long as we cannot distinguish between taste and judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don't like. For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don't like it; I can see this is good and, though at present I don't like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don't like it.
Plants are not like us, and the more you study plants, the more different and deep ways you see that they are not like us.
I feel like I can see the music and can see how the character of the music actually flows. For me, that's music to my eyes.
I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.
The code of life is like a Beethoven symphony. We have not yet learned how to write music like that. But evolution does it very well. I am learning how to use evolution to compose new music.
I'd like to be like a hummingbird. You see them every now and then. You don't see them everywhere.
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