A Quote by Diane Guerrero

I always thought, 'Wow, I know I have an important story to tell,' but I never really thought it would happen. — © Diane Guerrero
I always thought, 'Wow, I know I have an important story to tell,' but I never really thought it would happen.
My wife loves to tell me that I love to tell people, 'Oh, I never thought WWE would sign me. I never thought I'd be on TV. I never thought I'd be a champion. I never thought any of those things were remotely possible.'
I never thought I would ever win a Daytona 500. I never thought we would sweep Bristol. I just never thought any of that stuff was going to happen or be possible.
This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.
When I was a kid growing up, I always thought I would be a journalist, and I thought, you know, I'd cover stories about other people, and we're always taught never to make the story about yourself.
After giving up softball, I didn't know what I was going to do. I thought I would try bobsled, but I wasn't really sure what would happen. I thought my athletic career was over.
I never thought America would be stupid enough to put this idiot in the White House. Up until a half hour before they declared Trump the winner, I still thought that it wouldn't happen. I never thought that we, as a nation, had fallen so much that we would be foolish enough to do that.
I hate to predict my future. I never really thought I would be a head coach at 34 years old. I never thought I would be traded to Tampa. I never even really thought I would be fired, even though I probably deserved it. I try not to predict things.
If you realized how powerful your thoughts are, you would never think a defeatist or negative thought. Since we create through thought, we need to concentrate very strongly on positive thoughts. If you think you can't do something, you can't. But if you think you can, you may be surprised to discover that you can. It is important that our thoughts be constantly for the best that could happen in a situation - for the good things we would like to see happen.
Would it hurt to die? All those times he had thought it was about to happen and escaped, he had never really thought of the thing itself: his will to live had always been so much stronger than his fear of death.
I'd thought I'd constructed a really wonderful book, and the teacher told me that my story basically began on page fifty, and that I should throw out everything prior, or figure out a way to weave only the most important information back into the story, and keep the action moving forward. Wow. That was a really humbling experience. A real eye-opener. Made me realize there are so many aspects involved with telling a story.
I started in Shakespeare. I'm classically trained, which, how hilarious is that? Then one night, I saw Second City and thought, 'Wow, that's what I want to do.' But I never thought it would morph into screenplay writing.
I never thought in my life, I never really thought I would get married. I watched my parents go through a divorce, and I thought, like, this is just not something people are supposed to do.
For years, I've thought about a project or a way where I could do acting and music together, and I never really thought that would happen. Then 'Nashville' came along, and it was like a dream come true to marry both of those worlds.
Is there a reason there's not a tampon dispenser in the West Wing basement?" And it was like, "No." Nobody had really just ever thought about putting it there. It's an important story to tell because, well, it was important to do because we needed them, but I think that it's more, like, you should always ask questions.
That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.'
Memoirists, unlike fiction writers, do not really want to 'tell a story.' They want to tell it all - the all of personal experience, of consciousness itself. That includes a story, but also the whole expanding universe of sensation and thought ... Memoirists wish to tell their mind. Not their story.
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